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Journal

2013 | 12 | 1 | 144-163

Article title

READING LIKE THE JAPANESE: THE GOTHIC AESTHETICS OF HORROR IN SHAKESPEARE’S TITUS ANDRONICUS

Title variants

Languages of publication

EN

Abstracts

EN
Shakespeare’s plays have been universally praised for centuries. However, Titus Andronicus was not included in this positive evaluation until the second half of the 20th century, when mainly feminist criticism contributed to an academically kinder re-assessment of this generally gory play. This paper, focusing on the issues of aesthetic value and the deletion of empathy, proposes a defamiliarized, a different reading of this Shakespearean play, from the perspective of the Japanese people, ‘famous’ for aesthetically enjoying the cathartic showing of gratuitous violence.

Keywords

Publisher

Journal

Year

Volume

12

Issue

1

Pages

144-163

Physical description

Dates

published
2013-12-01
online
2014-02-14

Contributors

  • Yeditepe University, Istanbul, Turkey 26 Agustos Yerlesimi, Kayisdagi Cad. 34755, Atasehir/ Istanbul, Turkey

References

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  • Bate, J. (Ed.) 1995. Titus Andronicus (The Arden Shakespeare, 3rd Series). London: Arden.
  • Bloom, H. 1998. Shakespeare: The Invention of the Human. New York: New York Publishing Company.
  • Botting, F. and S. Wilson. 2008. ‘Gothspeare and the Origins of Cultural Studies’, in Gothic Shakespeares. Drakakis, J. and D. Townsend (Eds.). UK/USA/Canada: Routledge, pp. 186-201.
  • Buruma, I. 2001. A Japanese Mirror: Heroes and Villains of Japanese Culture. London: Atlantic Books.
  • Craig, S. 2008. ‘Shakespeare among the Goths’, in Gothic Shakespeares. Drakakis, J. and D. Townsend (Eds.). UK/USA/Canada: Routledge. pp. 42-60.
  • Farmer, R. 1903. ‘An Essay on the Learning of Shakespeare: Addressed to Joseph Cradock, Esq. 1767’, in Eighteenth Century Essays on Shakespeare. D. Nichol Smith (ed). Glasgow: James MacLehose and Sons, pp. 162-216, [Online]. Available: http://www.gutenberg.org/files/30227/30227-h/30227-h.html, [2013, March 25].
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  • Kott, J. 1974. Shakespeare, Our Contemporary. New York: W. W. Norton & Co.
  • Laughlin Fawcett, M. 1983. ‘Tears, Language and the Body in Titus Andronicus’, in ELH, Vol. 50, No. 2, The Johns Hopkins University Press, pp. 261-277.
  • Marshall, C. 2002. The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts. Baltimore, Maryland: The Johns Hopkins University Press.
  • Mumford, M. 2009. Berthold Brecht. U.S.A and Canada: Routledge.
  • Murray Kendall, G. 1989. ‘“Lend me thy Hand”: Metaphor and Mayhem in Titus Andronicus’, in Shakespeare Quarterly, Vol. 40, No.3, Folger Shakespeare Library in association with George Washington University, pp. 299-316.
  • Ng, A.H.S. 2007. Interrogating Interstices: Gothic Aesthetics in Postcolonial Asian and Asian American Literature. Bern: Peter Lang.
  • Reese, J.E. 1970. ‘The Formalization of Horror in Titus Andronicus’ in Shakespeare Quarterly, Vol. 21, No.1, Folger Shakespeare Library in association with George Washington University, pp. 77-84.
  • Royster, F. 2000. ‘White-Limed Walls: Whiteness and Gothic Extremism in Shakespeare's Titus Andronicus’, in Shakespeare Quarterly, Vol. 51, No. 4, Folger Shakespeare Library in association with George Washington University, pp. 432-455.
  • Shakespeare, W. 1980. ‘Titus Andronicus’, in William Shakespeare: The Complete Works. London and Glasgow: Collins, pp. 870-902.
  • Willett, J. 1978. Brecht on Theatre: The Development of an Aesthetic. J.Willett (Ed. and trans). New York: Hill and Wong; London: Methuen.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_genst-2013-0009
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