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2014 | 11 | 1 | 86-97

Article title

Desire for the other and the Iterable Identity in the Social Context: A Postmodern Reading of Tennessee Williams’ A Streetcar Named Desire

Title variants

Languages of publication

EN

Abstracts

EN
In postmodern outlook, the boundary between the different divisions made inside the mind is blurred. It is the Other of one’s self that indirectly defines the identity of a character or makes it abject. The purpose of this study is to recognize the adjustment identity of Blanche in “The Streetcar Named Desire” in diverse social contexts. The identity of Blanche is under surveillance through some key elements in the postmodern bedrock. The chains of signifiers that are produced by the considered character distinguish the mayhem of the mind that is trying to find a new identity in the altered social context. The study aims to unravel the desire for the Other or the hidden alter that is trying to adapt itself to the new environment while the character is unraveled as abject for the others in the special context. The dangling state of Blanche’s mind is exposed through multiple features of the concepts to embody the blurring border between the Other and the self.

Keywords

Publisher

Year

Volume

11

Issue

1

Pages

86-97

Physical description

Dates

published
2014-03-01
online
2014-05-01

Contributors

  • Razi University, Kermanshah, Iran
author
  • Razi University, Kermanshah, Iran

References

  • Brandt, Joan.1997. Geopoetics: The Politics of Mimesis in Poststructuralist French Poetry and Theory. Stanford: Stanford University Press.
  • Creed, Barbara. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London Routledge.
  • Critchley, Simon. 1999. The Ethics of Deconstruction: Derrida and Levinas (1992), 2nd edn. Edinburgh: Edinburgh University Press.
  • Derrida, Jacques. 1973. Speech and Phenomena: And Other Essays on Husserl’s Theory of Signs, trans. and Introduction by David B. Allison. Evanson IL: Northwestern University Press.
  • Elliot, Anthony. 1996. Subject to Ourselves: Social Theory, Psychoanalysis, and Postmodernity. Cambridge: Polity Press.
  • Hooti Noorbakhsh. 2011. “Quest for identity in Tenessee Williams A Street Car Named Desire” Studies in Literature and Language, 2(3), 18-29.
  • Hooti, Noorbakhsh & Rashidi Rostami, Mahroo. 2010. “The impossibility of communication in a world of spiritual impotence in Albee’s The zoo story”. Annals of Humanities & Development Studies, 1(2), 1-11.
  • Hurrell, John D. 1961. Two Modern American Tragedies: Reviews and Criticism of Death of a Salesman and A Streetcar Named Desire. New York: Charles Scribner’s Sons.
  • Jones, Robert Emmet. 1961. Tennessee Williams’ early heroines. Two modern American tragedies: Reviews and criticism of death of a salesman and A streetcar named desire. New York: Charles Scribner’s Sons.
  • Kristeva, Julia. 1982. Powers of Horror: An Essay in Abjection, trans. Margaret Waller, Introduction by Leon S. Roudiez. New York: Columbia Press.
  • Schick, Irvin Cemil. 1999. The Erotic Margin: Sexuality and Spatiality in Alteritist Discourse. London: Verso.
  • Shastri, N.R. 1988. The dialectic of identity: A study of the bellow hero. Secunderabad, Andhra Pradesh: n.p.
  • Weber, Samuel. 1991. Mass Mediauras: Form Technics Media. Stanford CA: Stanford University Press.
  • Williams, Tennessee. 1971. The theatre of Tennessee Williams (vol. I). New York: New Directions.
  • Williams, Tenessee. 1947. A Streetcar Named Desire. New York: New Directions.
  • Wolfreys J. 2004: Critical Keywords in Literary and Cultural Theory. New York: Palgrave Macmillan.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_rjes-2014-0011
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