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Journal

2009 | 19 | 3 | 266-273

Article title

Gombrich and the Problem of Relativity of Vision

Authors

Title variants

Languages of publication

EN

Abstracts

EN
The essay argues that Ernst Gombrich's views are relevant to the critical examination of the notion of the relativity and historicity of vision which has been widely accepted as one of the central axioms shared by visual studies, art history and film studies.

Keywords

Publisher

Journal

Year

Volume

19

Issue

3

Pages

266-273

Physical description

Dates

published
2009-09-01
online
2009-09-24

Contributors

  • Department of Art History, Masaryk University, Arne Nováka 1, 60200 Brno, Czech Republic

References

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  • Blakemore, S., J., Frith, U. How Does the Brain Deal with the Social World? Neuroreport 14, 1-10, 2003.
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  • Danto, A. C. Beyond the Brillo Box. The Visual Arts in Post-Historical Perspective. New York: Noonday Press, 1992.
  • Danto, A. C. The Historicity of the Eye. Seeing and Showing. Journal of Aesthetics and Art Criticism 39, 2001a.[Crossref]
  • Danto, A. C. The Pigeon within Us All: A Reply to Three Critics. Journal of Aesthetics and Art Criticism 39, 2001b.[Crossref]
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  • Fodor, J. The Modulatity of Mind. Cambridge, MA: MIT Press, 1983.
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  • Gombrich, E. H. Focus on the Arts and Humanities. In Tributes. Interpreters of Our Cultural Tradition. Oxford: Oxford University Press, 1984.
  • Gombrich, E. H. Representation and Misrepresentation. Critical Inquiry 11, 195-201, 1984.[Crossref]
  • Gombrich, E. H. "They Were All Human Beings-So Much Is Plain": Reflections on Cultural Relativism in the Humanities. Critical Inquiry 13, 1987.[Crossref]
  • Gombrich, E. H. Art and Illusion. Princeton: Princeton University Press, 2000a.
  • Gombrich, E. H. Concerning "the Science of Art". Commentary on Ramachandran and Hirstein. Journal of Consciousness Studies 7, 8-9, 2000b.
  • Goodman, N. Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Bobbs-Merrill, 1968.
  • Gutchess, A. et al. Cultural differences in neural function associated with object processing. Cognitive, Affective, and Behavioral Neuroscience 6.2, 2006.
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  • Onians, J. Alberti and the Neuropsychology of Style. In L. Chiavoni, G. Ferlisi, M. V. Grossi (Eds.). Leon Battista Alberti E Il Quattrocento. Studi in onore di Cecil Grayson e Ernst Gombrich. Mantua 2001.
  • Onians, J. Neuroarthistory. From Aristotle and Pliny to Baxandall and Zeki. New Haven-London: Yale University Press, 2007.
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  • Ramachandran, V. S., Hirstein, W. The Science of Art. A Neurological Theory of Aesthetic Experience. Journal of Consciousness Studies 6, 6/7, 15-51, 1999.
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  • Wölfflin, H. Principles of Art History. The Problem of the Development of Style in Later Art. New York 1932.
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Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_v10023-009-0040-x
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