PERCEPTION OF MACHINE AND TECHNO - IMAGINATION

• Authors: Paluch M.
• Languages of publication: PL

Abstracts

EN

AThe study deals with a technical perception of a device (a camera) in whose center is as an end product a technical picture and its analogical codes. We indicate them analogical in that sense, since they can develop an ancient experience of humanity with a mirror. A photography and film substitute properties of the mirror and establish a new relationship between 'mirror' as a supercode and its reporter. They create codes, which record the reporter in the status where 'here and now' (reality) the reporter 'was' (photographic and film picturing). We distinguish two-dimensional flat codes in case of photograph, and three-dimensional flat codes in case of film. We speak first of all about the flat configurations. The influence of techno - perception on our natural perception can be shown on the various manipulation forms, and on the arranging of pre-aparatus reality (for a camera or film camera) for the purpose of its shooting, since only in the status of a technical picture, the reality reaches an intentional meaning, or on the contrary, the omnipresence of technical pictures retroactively determines our behaviour in the natural reality.

Keywords

EN

FILM; PHOTOGRAPHY; TECHNICAL PERCEPTION; TECHNICAL PICTURE

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2007
• Volume: 55
• Issue: 2
• Pages: 133-138
• Document type: ARTICLE

Contributors

author

Paluch M.

• M. Paluch, Kabinet divadla a filmu SAV, Dubravska cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

CEJSH db identifier

07SKAAAA03216637