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Publisher
Sciendo
Journal
Acta Universitatis Sapientiae, Film and Media Studies
Year
2014
Volume
8
Issue
1
Identifiers
Cover
Volume contents
1
article:
Frames, Windows, and Mirrors. Sensing Still Bodies in Films by Manoel de Oliveira
(
Király H.
), p. 7-20
article:
‘Own Deaths’ – Figures of the Sensable in Péter Nádas’s Book and Péter Forgács’s Film
(
Sándor K.
), p. 21-40
article:
The Sensation of Time in Ingmar Bergman’s Poetics of Bodies and Minds
(
Pezzetti F.
), p. 41-58
article:
Remediating Past Images. The Temporality of “Found Footage” in Gábor Bódy’s American Torso
(
Pieldner J.
), p. 59-78
article:
‘Crows’ vs. ‘Avatar,’ or: 3D vs. Total-Dimension Immersion
(
Martins J. M.
), p. 79-96
article:
Harmony of Senses – 3D Documentaries of Herzog and Wenders
(
Turnacker K.
), p. 97-111
article:
An Olfactory Cinema: Smelling Perfume
(
Jiaying S.
), p. 113-127
article:
See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema
(
Downes S.
), p. 129-148
article:
Embodied Genetics in Science-Fiction, Big-Budget to Low-Budget: from Jeunet’s Alien: Resurrection (1997) to Piccinini’s Workshop (2011)
(
Virginás A.
), p. 149-166
article:
Quasi-Bodies and Kafka’s Castle in Sion Sono’s Crime Noir Guilty of Romance (2011)
(
Kuo C.-w.
), p. 167-181
article:
Sensations of the Past: Identity, Empowerment, and the British Monarchy Films
(
Győri Z.
), p. 183-201
article:
Local Sensorium, Local Cinema: György Pálfi’s Sensuous Body Politics
(
Kalmár G.
), p. 203-214
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