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Publisher
Sciendo
Journal
Acta Universitatis Sapientiae, Film and Media Studies
Year
2016
Volume
12
Issue
1
Identifiers
Cover
Volume contents
1
article:
The Impression of Reality and the Awareness of the Medium in Alexander Sokurov’s Family Trilogy
(
Bugaj M.
), p. 7-25
article:
Pictorial Real, Historical Intermedial. Digital Aesthetics and the Representation of History in Eric Rohmer’sThe Lady and the Duke
(
Tagliani G.
), p. 27-44
article:
The Polaroid and the Cross. Media-Reflexivity and Allegorical Figurations in Lucian Pintilie’sThe Oak(1992)
(
Sándor K.
), p. 45-66
article:
Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema
(
Király H.
), p. 67-86
article:
Magic Realism, Minimalist Realism and the Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema
(
Pieldner J.
), p. 87-114
article:
Art and Reality inThe Arbor(2010)
(
Mello C.
), p. 115-128
article:
When the Copywriter is the Protagonist. History and Intermediality in Pablo Larraín’sNo(2012)
(
Zucconi F.
), p. 129-147
article:
Accommodating the Mess: The Politics of Appropriation inIt for Others(2013)
(
Blair P.
), p. 149-165
article:
Media-Morphosis. Intermediality, (Re-)Animation and the Medial Uncanny in Tsukamoto Shinya’sTetsuo: The Iron Man(1989)
(
Player M.
), p. 167-189
article:
Indexicality or Technological Intermediate? Moving Image Representation, Materiality, and the Real
(
Verdon J.
), p. 191-209
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