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2020 | 1 | 277-311

Article title

Ruch: kinowość w malarstwie i literaturze

Content

Title variants

EN
Movement: the Cinematic in Painting and Literature

Languages of publication

PL

Abstracts

EN
Translation of Mieke Bal's chapter into Polish 

Year

Issue

1

Pages

277-311

Physical description

Dates

published
2020-12-20

Contributors

author

References

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  • Bruno, G., The Poetry of the Imaginary, w: Munch, Milan 1986
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  • Buck-Morss, S., The Cinema as Prosthesis of Perception, w: The Senses Still: Perception and Memory as Material Culture in Modernity, red. C.N. Seremetakis, Chicago 1993, s. 45–62
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  • Derrida, J., Signature, Event, Context, w: idem, Limited Inc., tłum. S. Weber, Evanston, IL, 1988
  • de Duve, T.„Ah! Manet….“ Comment Manet a-t-il construit Un bar aux Folies-Bergère?, w: M. Foucault, La peinture La peinture de Manet, suivi de Michel Foucault, un regard, red. M. Saison, Paris 2004
  • Edvard Munch: The Frieze of Life, London 1992 [1984]
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  • Eisenstein, S., Montage is Conflict, w: The Cinematic, red. D. Campany, Cambridge MA 2007, s. 30-32
  • Eisenstein, S., Through Theatre to Cinema, w: Film Form, red. i tłum. J. Leyda, New York–London 1998 [1949], s. 3–17
  • Fantasia of Color in Early Cinema, red. G. Fossati, Amsterdam 2015
  • Flaubert G., Madame Bovary, vol. 1 des Oeuvres completes des Gustave Flaubert, Tome 1. Edition nouvelle etablie, d’apres les manuscrits inédits de Flaubert, par la Société des Études littéraires françaises, contenant les scénarios et plans des divers romans, la collection complète des Carnets, les notes et documents de Flaubert, avec les notices historiques etc critiques, et illustres d’images contemporaines, Paris 1971 [1857]
  • Flaubert, G., Madame Bovary, tłum. A. Micińska, Warszawa 1976
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  • Foucault, M., Dits et Ecrits, vol. I, Paris 1994
  • Foucault, M., La peinture de Manet, suivi de Michel Foucault, un regard, red. M. Saison, Paris 2004
  • Fried, M., Flaubert’s ‘Gueuloir’: On Madame Bovary and ‘Salammbô, New Haven-London 2012
  • Friedberg, A., The Virtual Window. From Alberti to Microsoft, Cambridge, MA, 2006
  • González, F., La scène originaire de Madame Bovary, avant-propos de Charles Grivel, Oviedo 1999
  • Gustave Flaubert. Mémoire de la critique, red. D. Philippot, Paris 2006
  • Happala, L., A Divided Sentence, a Split Viewer: Observations on Distal Sensuousness in Eija-Liisa Ahtila’s Moving Image Installations, w: Eija-Liisa Ahtila: Parallel Worlds, red. L. Esssling, Stockholm 2012
  • Heller, R., Munch: His Life and Work, Chicago–London 1984
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  • Hernández Navarro, M.Á., Retorcer el tiempo: Fernando Bryce y el arte de Historia, „Espacio, Tiempo y Forma” 2016, 4, s. 45–70
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  • Krauss, R., Video: the Aesthetics of Narcissism, „October” 1976, 1, s. 50–64
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  • Mitchell, W. J. T., Wartość dodatkowa obrazów, w: idem, Czego chcą obrazy? Pragnienia przedstawień, życie i miłości obrazów, tłum. Ł. Zaremba, Warszawa 2013, s. 115–116
  • Mouffe, Ch., Polityczność, tłum. J. Erbel, Warszawa 2008
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  • The Cinematic, red. D. Campany, Cambridge MA 2007
  • Thinking in Film: Eija-Liisa Ahtila in Conversation with Chrissie Iles, „Parkett” 2003, 68, s. 58–64
  • Verhoeff, N., Surface Explorations: 3D Moving Images as Cartographies of Time, „Espacio, Tiempo y Forma” 2016, 4, s. 39–58
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  • Woll, G., I Wonder Whether Art Will Again Belong to Everyone?, w: Edvard Munch: The Soul of Work. A Joint Nordic Exhibition, red. Å.T. Halvorsen, A.-L. Walsted, E. Haatvedt, Oslo 1996
  • Woll, G., Now It is the Time of the Workers, w: Edvard Munch: Monumental Projects, 1909–1930, Lillehammer 1993
  • Ydstie, I., Painting is what the brain perceives through the filter of the eye, w: Edvard Munch: The Modern Eye, red. A. Lampe, C. Cheroux, London 2012

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_aq_2020_31_10
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