Węgierska parodia filmowa. Skutki uboczne parodii filmowych z czasów Kádára

• Authors: Tomáš Hučko

Title variants

EN

Hungarian movie parody. Side effects of movie parodies from the time of Kádár

• Languages of publication: PL

Abstracts

PL

In the rich and colorful Hungarian film history from post-war years to the present day we find an abundance of comedies combining satire, epigram, burlesque, but true parody film among them is not too much, is a rare phenomenon. What is the reason? We are looking for the answers in examples of two trials of parody film: the first and the only parody of James Bond: Az Oroszlan ugrani készül (dir. György Révész, 1969) and Kojak Budapesten (dir. Sándor Szalkai,1980), inspired by the main character of the American television series Kojak. Both attempts are accompanied with specific “side effects”. It tells a lot about the possibilities and limits of the Hungarian film parody.

EN

In the rich and colorful Hungarian film history from post-war years to the present day we find an abundance of comedies combining satire, epigram, burlesque, but true parody film among them is not too much, is a rare phenomenon. What is the reason? We are looking for the answers in examples of two trials of parody film: the first and the only parody of James Bond: Az Oroszlan ugrani készül (dir. György Révész, 1969) and Kojak Budapesten (dir. Sándor Szalkai,1980), inspired by the main character of the American television series Kojak. Both attempts are accompanied with specific “side effects”. It tells a lot about the possibilities and limits of the Hungarian film parody.

Keywords

PL

Hungary; film parody; Kojak; hero; James Bond; kino węgierskie; parodia filmowa

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2014
• Volume: 14
• Issue: 23
• Pages: 49-56

Dates

published

2014-01-13

Contributors

author

Tomáš Hučko

• Uniwersytet św. Cyryla i Metodego w Trnawie, Katedra Komunikacji Massmedialnej

References

• „Kojak w Budapeszcie” (Horrorisztikus gázsit kért a világsztár a budapesti szerepért. Kojak Budapesten), na portalu 168, pisze László Bokor; zob. http://www.168ora.hu/itthon/kojak-telly--savalas-film-nemeskurty-inke-laszlo-dozsa-laszlo- krimi-65485.html [dostęp: 6 października 2013].
• Dane z artykułu: J. Veress, Mi a siker, mi a bukás? [Co to jest sukces, co to jest fiasko?], „Filmvilág” 1981, nr 1, s. 7.

Identifiers

DOI

10.14746/i.2014.23.6