Lambeth Walk, czyli widz wyzwolony spod presji obrazu

• Authors: MAREK HENDRYKOWSKI

Title variants

EN

The Lambeth Walk, or the spectator liberated from the pressure of the picture

• Languages of publication: PL

Abstracts

EN

The Lambeth Walk, or the spectator liberated from the pressure of the picture A quintessential work of British and European cinema of World War II “The Lambeth Walk” is the epitome of world-class art of moving picture editing. Marek Hendrykowskis close-reading analysis places this short movie in its aesthetic, cultural and generic contexts and in the international landscape of the anti-propaganda film.

Keywords

PL

lambeth walk; The Borough of Lambeth; popular culture; dance; parody; footage film; stunt scene; film poetics; editing; language of moving pictures

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2016
• Volume: 18
• Issue: 27
• Pages: 97-110

Dates

published

2016-10-09

Contributors

author

MAREK HENDRYKOWSKI

• Department of Film, Television and New Media Adam Mickiewicz University, Poznań, Poland

References

• Hendrykowski M., 2014, Semiotyka ruchomych obrazów, Poznań.
• Kracauer S., 1958, Hitlerowski film wojenny w służbie propagandy. Suplement książki: Od Caligariego do Hitlera. Z psychologii filmu niemieckiego, przeł. E. Skrzywanowa i W. Wertenstein, Warszawa.
• Lane L., 1946, How To Become A Comedian, London.

Identifiers

DOI

10.14746/i.2016.27.06.