W sprawie cyfrowej historii polskiego kina

• Authors: Barbara Lena Gierszewska

Title variants

EN

In case of digital history of Polish cinema

• Languages of publication: PL

Abstracts

PL

In case of digital history of Polish cinema Digita l cinema history should support the conduct of free research, encourage authors to share the results of their findings and source discoveries. The problem is that Polish digital history of cinema on one hand is very poor (still a small part of sources and theoretical, historical and critical scientifi cachievements is available on-line), on the other hand, what has already appeared, is not representative because it omits largely the work of film studying authorities. For example, on the Internet you can find the views of researchers of the younger generation about the cultural history of the cinema in Polish context, including criticism of thesis described by scientifictycoons, but these are the texts that can be read only in paper publications. It begins to be, by the scientific standards, strange, because in the history of digital cinema leading roles are played by the young researchers, but without a clash of views with the authorities. The fact that on the net there are no statements concerning the scientifi cresearch given by the greatest experts of Polish cinema, who do not want to turn into a discussion with the young ones, causes the situation in which data to the history of Polish cinema digitally available are (so far) not always satisfying either as the aspect of cognition or the source.  

EN

Digital cinema history should support the conduct of free research, encourage authors to share the results of their findings and source discoveries. The problem is that Polish digital history of cinema, on one hand, is very poor (still a small part of sources and theoretical, historical and critical scientific achievements is available on-line), on the other hand, what has already appeared, is not representative because it omits largely the work of film studying authorities. For example, on the Internet you can find the views of researchers of the younger generation about the cultural history of the cinema in Polish context, including criticism of thesis described by scientific tycoons, but these are the texts that can be read only in paper publications. It begins to be, by the scientific standards, strange, because in the history of digital cinema leading roles are played by the young researchers, but without a clash of views with the authorities. The fact that on the net there are no statements concerning the scientific research given by the greatest experts of Polish cinema, who do not want to turn into a discussion with the young ones, causes the situation in which data to the history of Polish cinema digitally available are (so far) not always satisfying either as the aspect of cognition or the source. 

Keywords

PL

digital cinema history; digital humanities; audiovisual culture; digitization; film studies

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2017
• Volume: 20
• Issue: 29
• Pages: 203-213

Dates

published

2017-08-17

Contributors

author

Barbara Lena Gierszewska

• Pracownia Teatru, Filmu i Nowych Mediów Instytut Filologii Polskiej Uniwersytet Jana Kochanowskiego w Kielcach

References

• Ankersmit F.R., 1997, Historiografia i postmodernizm, przeł. E. Domańska, w: R. Nycz (red.), Postmodernizm. Antologia przekładów, Kraków
• Bomba R., 2015, Przechwytywanie wszystkiego: sprawozdanie z Transmediale 2015, „Przegląd Kulturoznawczy” nr 1, s. 90–94
• Bomba R., Czarnecki S., Stunża G.D., 2016, Tylko dostęp: koniec kultury uczestnictwa?, „Kultura Współczesna” nr 1, s. 9–13
• Hendrykowski M., 2015, Metodologia nowej historii filmu, „Images” vol. 17, nr 26, s. 311–316
• Lubelski T., 2014, Historia kina polskiego 1895–2014, Kraków
• Radomski A., 2008, Kultura 2.0 a humanistyka, „Episteme” nr 6, s. 5–22
• Radomski A., 2015, Humanistyka cyfrowa w praktyce: analiza i wizualizacja obrazów, „Roczniki Kulturoznawcze” t. 6, nr 4, s. 5–15

Identifiers

DOI

10.14746/i.2017.29.12.