The cinematographic representation of social frames

• Authors: Julian Bejko
• Languages of publication: EN

Abstracts

EN

The author of the essay titled «The Cinematographic Representation of Social Frames» analyzes images in the context of representing physical and ontological aspects of reality. He considers Albanian Communist Cinema (1952–1991) taking into consideration the viewer’s perspective in which cinema is treated as a metaphorical place when people learn to read images and can think through images. The author also focuses on following issues: processes of individualization, representation and the problematisation of subjectivity.

Keywords

EN

Albanian communist cinema; aesthetetisation of politics; state apparatus; self-censorship; Albanian modernity; affective metamorphosis; process of individualization; problematisation of subjectivity; cultural hegemony

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2018
• Volume: 23
• Issue: 32

Dates

published

2018-12-22

Contributors

author

Julian Bejko

• Department of Sociology University of Tirana

Identifiers

DOI

10.14746/i.2018.32.11