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2020 | 28 | 37 | 35-60

Article title

„Człowiek jest czemś, co przezwyciężone być powinno”. Dyskurs historiozoficzny 2001: Odysei kosmicznej

Authors

Content

Title variants

EN
“Man is something that shall be overcome“. The histori-osophical discourse of 2001: A Space Odyssey

Languages of publication

PL

Abstracts

PL
Drawing upon classic works on Kubrick’s 2001, the author ponders various strategies of interpretation which have been adopted to decipher the film’s discourse. The title category of historiosophy indicates one of the possible interpretational paths: the one associated with the Nietzschean notion of humankind stuck in a liminal stage between an animal and the overman. The author claims that such an understanding was typical of the late 1960s, and he pursues his argument with a close analysis of several sequences from the film, focusing on the formal devices which present the human protagonists as weak and lackluster, while the animal, the technological and the extraterrestrial characters are depicted as vital and irrepressible.
EN
Drawing upon classic works on Kubrick’s 2001, the author ponders various strategies of interpretation which have been adopted to decipher the film’s discourse. The title category of historiosophy indicates one of the possible interpretational paths: the one associated with the Nietzschean notion of humankind stuck in a liminal stage between an animal and the overman. The author claims that such an understanding was typical of the late 1960s, and he pursues his argument with a close analysis of several sequences from the film, focusing on the formal devices which present the human protagonists as weak and lackluster, while the animal, the technological and the extraterrestrial characters are depicted as vital and irrepressible.

Year

Volume

28

Issue

37

Pages

35-60

Physical description

Dates

published
2021-03-31

Contributors

author
  • Katedra Filmu i Mediów Audiowizualnych, Uniwersytet Łódzki

References

  • Agel J. (red.), The Making of Kubrick’s “2001”, New York 1970
  • Ciment M., Kubrick. The definitive edition, New York 2003
  • Clarke A.C., 2001: A Space Odyssey, New York 1968
  • Clarke A.C., The Lost Worlds of 2001, New York 1972
  • Daniels D., A skeleton key to 2001, „Sight and Sound”, Winter 1970/1971
  • Esser M., It’s so very lonely..., [w:] Stanley Kubrick, Hrsg. L.O. Beier, A. Kilb, D. Berz, Berlin 1999
  • Falsetto M., Narrative and Stylistic Patterns in the Cinema of Stanley Kubrick, Westport 1994
  • Geduld C., Filmguide to “2001: A Space Odyssey”, Bloomington, London 1973
  • Helman A., Stanley Kubrick albo synteza rodzajów, „Kino” 1974, nr 12
  • Jackiewicz A., Kosmiczna podróż Odyseusza, „Kino” 1970, nr 12
  • Jaspers K., Nietzsche, Warszawa 1997
  • Kael P., Going Steady, Boston 1970
  • Kagan N., The Cinema of Stanley Kubrick, New York 1988
  • Klejsa K., Filmowe oblicza kontestacji. Kino Stanów Zjednoczonych i Europy Zachodniej wobec kultury protestu lat 60. i 70., Warszawa 2008
  • Kolker R.P., A Cinema of Loneliness, Oxford 1980
  • Kozłowski K., Stanley Kubrick. Filmowa polifonia sztuk, Warszawa 2013
  • Krämer, P., „Szanowny Panie Reżyserze...”: listowne reakcje widowni na film „2001: Odyseja kosmiczna” w późnych latach sześćdziesiątych, [w:] Badanie widowni filmowej. Antologia przekładów, red. K. Klejsa, M. Saryusz-Wolska, Warszawa 2014
  • Lem S., Fantastyka i futurologia, Warszawa 1996
  • Miller M.C., 2001: generacja oziębłych, „Film na Świecie” 1993, nr 3–4
  • Nelson T., Kubrick: Inside a film artist’s maze, Bloomington 2000
  • Nietzsche F., Tako rzecze Zaratustra, Warszawa 1990
  • Phillips G. (red.), Stanley Kubrick. Rozmowy, Warszawa 2014
  • Piskorz A., Kubrick Jungiem podszyty, „Iluzjon” 1993, nr 2
  • Seeslen G., Jung F., Stanley Kubrick und seine Filme, Marburg 1999
  • Walker A., Stanley Kubrick, Director, New York 2000
  • Zalewski A., Zasada alegorii. Wątki metafizyczne we współczesnym kinie, „Studia Filmoznawcze” 2000, nr 21

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_i_2020_37_03
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