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2020 | 28 | 37 | 167-175

Article title

Przyszłość już była. Dystopie w najnowszym kinie science fiction Ameryki Łacińskiej

Content

Title variants

EN
The future has already happened. Dystopias in contemporary Latin American science fiction cinema

Languages of publication

PL

Abstracts

PL
This paper examines the various ways in which contemporary Latin American science fiction films contest the neocolonial and neoliberal narratives, dominant in the region since the 20th century. I identify and examine strategies that filmmakers employ to challenge the common understanding of such notions as time, modernity and technological progress. I outline the visions of dystopias presented in the examined films, while also analyzing the counter-narratives introduced by filmmakers, which are mostly focused on creating a new, hybrid identity for a future citizen.
EN
This paper examines the various ways in which contemporary Latin American science fiction films contest the neocolonial and neoliberal narratives, dominant in the region since the 20th century. I identify and examine strategies that filmmakers employ to challenge the common understanding of such notions as time, modernity and technological progress. I outline the visions of dystopias presented in the examined films, while also analyzing the counter-narratives introduced by filmmakers, which are mostly focused on creating a new, hybrid identity for a future citizen.

Year

Volume

28

Issue

37

Pages

167-175

Physical description

Dates

published
2021-03-31

Contributors

  • Wydział „Artes Liberales”, Uniwersytet Warszawski

References

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  • Cua Lim B., Translating Time. Cinema, the fantastic, and temporal critique, Durham 2009
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  • Haywood Ferreira R., The Emergence of Latin American Science Fiction, Middletown 2012
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  • Langer J., The shapes of dystopia. Boundaries, hybridity and the politics of power, [w:] Science Fiction, Imperialism and the Third World, red. E. Hoagland, R. Sarwal, Jefferson, London 2010, s. 171–187
  • Le Guin U., Introduction, [w:] The Norton Book of Science Fiction: North American science fiction, 1960–1990, red. U. Le Guin, B. Attebery, New York 1993
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  • Lucrecia Martel, por qué el fracaso del proyecto de “El Eternauta” la llevó a „Zama”, „La Gaceta Salta” 6.09.2017, <https://www.lagacetasalta.com.ar/nota/88774/ espectaculos/lucrecia-martel-fracaso-proyecto-eternauta-llevo-zama.html>, dostęp: 9.04.2020
  • Lyotard J.-F., The Inhuman. Reflections on Time, przeł. G. Bennington, R. Bowlby, Stanford 1998
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  • Petras J., Veltmeyer H., Neoliberalism and imperialism in Latin America: dynamics and responses, „International Review of Modern Sociology” 2007, vol. 33, s. 27–59 Racięski B., Argentyna, Meksyk, Brazylia oraz pozostałe kinematografie latynoamery- kańskie, [w:] Historia kina, t. 4: Kino końca wieku, red. T. Lubelski, I. Sowińska, R. Syska, Kraków 2019, s. 605–640
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Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_i_2020_37_10
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