Kamila Janiak i punk

• Authors: Alina Świeściak

Title variants

EN

Kamila Janiak and punk

• Languages of publication: PL

Abstracts

PL

The author presents poetry by Kamila Janiak in the context of avant-guard pop-culture. She deals mainly with punk and cyber-punk motifs of this poetry, which alow to understand them as a feminist, post-human and anty-capitalist project. She shows how Janiak for her purposes uses d.tournements: she takes on the one hand principles, which rule in the “controlled societies” and on the other hand pop-culture aesthetics and psychodelic rock music.

EN

The author presents poetry by Kamila Janiak in the context of avant-guard pop-culture. She deals mainly with punk and cyber-punk motifs of this poetry, which alow to understand them as a feminist, post-human and anty-capitalist project. She shows how Janiak for her purposes uses d.tournements: she takes on the one hand principles, which rule in the “controlled societies” and on the other hand pop-culture aesthetics and psychodelic rock music.

Keywords

PL

Avant-garde; Counter-culture; punk; cyber punk; pop-art; Apocalypse

EN

Avant-garde; Counter-culture; punk; cyber punk; pop-art; Apocalypse; Avant-garde; Counter-culture; punk; cyber punk; pop-art; Apocalypse

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Poznańskie Studia Polonistyczne. Seria Literacka
• Year: 2018
• Issue: 33
• Pages: 153-170

Dates

published

2018-10-26

Contributors

author

Alina Świeściak

• Uniwersytet Śląski

References

• Bratkowski Piotr (2016), Punk rock i Sex Pistols. Spektakl żywych lalek, 27 sierpnia, http://www.newsweek.pl/kultura/live-76-sex-pistols-40-lat-punk-rocka-rewolucja-punkowa-,artykuly,396078,1.html [dostęp: 20 lutego 2017].
• Janiak Kamila (2007), Frajerom śmierć i inne historie, Staromiejski Dom Kultury, Warszawa.
• Janiak Kamila (2009), kto zabił bambi?, Fundalcja Mammal, Warszawa.
• Janiak Kamila (2016), zwęglona Jantar, Staromiejski Dom Kultury, Warszawa.
• Kaczmarski Paweł, Koronkiewicz Marta, red. (2016), Zebrało się śliny, Biuro Literackie, Stronie Śląskie.
• Latour Bruno (2010), Splatając na nowo to, co społeczne: wprowadzenie do teorii aktora-sieci, wstęp Krzysztof Arbiszewski, przeł. Aleksandra Derra, Krzysztof Arbiszewski, Universitas, Kraków.
• Paz Octavio (1991), Labirynt samotności, przeł. Jan Zych, Wydawnictwo Literackie, Kraków.
• Savage Jon (2013), England’s Dreaming. Sex Pistols i punk rock, przeł. Marta Marciniak, Axis Mundi, Warszawa.

Identifiers

DOI

10.14746/pspsl.2018.33.9