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2012 | 2 |

Article title

Poetika hibridnih multižanrovskih pesničkih tekstova Ljubomira Micića i Branka Ve Poljanskog

Content

Title variants

EN
Poetics of Ljubomir Micić and Branko Ve Poljanski’s hybrid multigenre poetic texts

Languages of publication

SR

Abstracts

SR
In the text I will focus on Zenitist poetry by Ljubomir Micić and Branko Ve Poljanski. I will construe a new discursive framework, which will make it possible for us to understand their multigenre  texts  as important  items  in  the  national poetry  canon.  I  will  contextualize  the general characteristics of European avant-garde poetry practices, which were used by Micic and Poljanski in order to interpret the specific place of Zenitism as a general Balkan avantgarde movement, participating in a significant way in the European and world avant-garde. 
EN
In the text I will focus on Zenitist poetry by Ljubomir Micić and Branko Ve Poljanski. I will construe a new discursive framework, which will make it possible for us to understand their multigenre  texts  as important  items  in  the  national poetry  canon.  I  will  contextualize  the general characteristics of European avant-garde poetry practices, which were used by Micic and Poljanski in order to interpret the specific place of Zenitism as a general Balkan avantgarde movement, participating in a significant way in the European and world avant-garde.

Year

Issue

2

Physical description

Dates

published
2012-01-01

Contributors

References

  • Micić Lj., Branko Ve Poljanski: „Panika pod suncem” – Tragedija balkanske azbuke, u: B. Ve Poljanski, Panika pod suncem, Beograd 1923.
  • Micić Lj., Kategorički imperativ zenitističke pesničke škole, u: Lj. Micić, Kola za spasavanje, Zagreb 1922.
  • Micić Lj., Vanumna poezija i antievropa, u: Lj. Micić, Antievropa, Zagreb 1926.
  • Poljanski B. Ve., 77 samoubica – Neverovatna ljubavna zbitija gospodina Nikifora Mortona, Zagreb 1923.
  • Poljanski B. Ve, Tumbe, Beograd 1926.
  • Close Listening – Poetry and the Performed Word, ed. Ch. Bernstein, Oxford–New York 1998.
  • Grdan L., Zenit i simultanizam, Beograd 2010.
  • Đurić D., Jezik, poezija, postmodernizam, Beograd 2002.
  • Đurić D., Poezija teorija rod, Beograd 2009.
  • Juvan M., Ideologije primerjalne književnosti: perspektive metropol in periferij, u: Primerjalna književnost v 20. stoletju in Anton Ocvirk, ur. D. Dolinar, M. Juvan, Ljubljana 2008.
  • Juvan M., Svetska književnost(i) i periferije, prevela sa engleskog M. Ivić, „Polja” br. 471, 2011, str. 116–125.
  • Milanja C., Pjesništvo hrvatskog ekspresionizma, Zagreb 2000.
  • Perloff M., Pound/Stevens: Whose Era, u: M. Perloff, The Dance of the Intellect – Studies in the Poetry of the Pound Tradition, Cambridge–New York 1985, 1987.
  • Peppis P., Literature, Politics, and the English Avant-Garde – Nation and Empire, 1901–1918, Cambridge 2000.
  • Petrov A., Branko Ve Poljanski i njegova „Panika pod suncem”, u: B. Ve Poljanski, Panika pod suncem, Tumbe, Crveni petao, priredio i studiju napisao A. Petrov, Gornji Milanovac 1988.
  • Poems for the Millennium, Volume Two, From Postwar to Millennium, eds J. Rothenberg, P. Joris, Berkeley 1998.
  • Pollock G., About canons and culture wars, u: G. Pollock, Differencing The Canon – Feminist Desire and the Writing of Art’s Histories, London–New York 1999.
  • Radical Poetic Practice: Concrete and Visual Poetry in the Avant-garde and Neo-avant-garde, u: Impossible Histories – Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918–1991, eds D. Đurić, M. Šuvaković, Cambridge (Massachusetts)–London 2003, 2006, str. 64–95.
  • Vučković R., Avangardna poezija, Banjaluka 1984.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_pss_2012_2_5
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