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2017 | 13 |

Article title

Painter and His Double in the Artistic Opus of Katarina Radojlović)

Content

Title variants

PL
Сликар и његов двојник у стваралаштву Катарине Радојловић

Languages of publication

EN

Abstracts

PL
The painting of Katarina Radojlovic1 , gone too soon as it happens too often in life, carries inherently and by its nature the autobiographical features that do not allow factual interpretations and anecdotal storytelling. Furthermore, the painter’s need to touch the “impersonal” without losing her own identity, however paradoxical it may sound, makes difficult any attempt to classify or rank her artistic opus within the existing courses of the contemporary Serbian art scene. After all, what’s the point of classification since during the process of creating the author was crystal clear about her painting being first and foremost cosa mentale. It is actually a form of searching for her, dealing with loneliness and meaningless in an effort to rediscover the meaning of reality via work of art that will by its own standards seek to establish a relationship between form and function of visual expression. This effort, we would say, is quite clearly to be identified in the last cycles of her artistic opus: Theatre of Shadows, Moonlight Stories and Imprint of a Shadow.

Year

Issue

13

Physical description

Dates

published
2018-01-29

Contributors

  • Факултет уметности Универзитета у Нишу
  • Факултет уметности Универзитета у Нишу

References

  • Bajdić-Bajdić, M. (2013). Mistični ples lutki. Predgovor katalogu izložbe slika Katarine Radojlović. Gornji Milanovac: Likovna galerija.
  • Denegri. J. (1997). Osamdesete: Teme srpske umetnosti. Novi Sad: Svetovi.
  • Drča. N. (2007). Nove akvizicije zbirke istorije umetnosti 1991–2006. Niš: Narodni muzej.
  • Elijade. M. (2006). Simbolizam, sveto u umetnosti. Kruševac: Gutenbergova Galaksija.
  • Haft¬man, W. (1972). Ve¬li¬ki maj¬sto¬ri lir¬ske ap¬strak¬ci¬je i en¬for¬me¬la. U: Umet¬nost po¬sle 45. Lju¬b-lja¬na–Beograd: Mladinska Knjiga, str. 13–50.
  • Marković. S. (1993). Leonid Šejka i Medijala. Niš: Prosveta.
  • Marković. S. (2008). Predgovor katalogu izložbe Slike crteža Katarine Radojlović. Bijeljina: JU-centar za kulturu Semberija .
  • Merenik. L. (1995). Beograd: osamdesete. Nove pojave u slikarstvu i skulpturi 1979–1989. u Srbiji. Novi Sad: Prometej.
  • Mišić. Z. (1983). Unutrašnje rešenje slobode. „Dvojnik”, Gradac, br. 51–52, Čačak, str. 64.
  • Todorović. M. (2008). Zbirka skulptura u fondu Galerije savremene likovne umetnosti u Nišu [neobjavljeni rad]. Niš.
  • Todorović. M. (2009). Predgovor katalogu za samostalnu izložbu slika Katarine Radojlović. Crveni ka puti. Niš: Crveni kaputi, Galerija savremene likovne Umetnosti .
  • Todorović. M. (2013). Izložbena aktivnost Gelerije savremene likovne umetnosti u Nišu 1970–2013. [neobjavljeni rad]. Niš.
  • Ueda. A. (1966). Priče kiše i meseca. Beograd: Nolit.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_pss_2017_13_14
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