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2017 | 13 |

Article title

Abramović – Ulay 1980–1988: Desert Storm Survivors

Content

Title variants

PL
Abramović – Ulay 1980–1988: Desert Storm Survivors

Languages of publication

EN

Abstracts

PL
The twelve-year collaborative practice of Marina Abramović and Ulay (Franck Uwe Laysiepen), started with extreme, rapturous and unflinching explorations of capacities of the body in their early performances (a phase they called The Warriors), that corresponded to the fury of the 1970s. In an environment hostile to the living, phenomenological body (in arts, in theoretical discourse) of the 1980s, the two artists recalibrated their living and artistic strategy. During their extensive journeys into distant lands (deserts of Asia, Africa, Australia), they were introduced to and embraced the practices of Eastern meditation techniques, which secured and procured their escape from the limitations of their own culture and their relationship. They also significantly influenced and modified forms and functions of their joint performances. The refined simplicity and stillness of the form of their many-times (re)enacted performance Nightsea Crossing focussed and spurred their inner forces towards self-perfection and the unfolding of more sophisticated lines of connection with the outside, with otherness. The legacy of this performance has affected the direction and function of their later, individual careers.

Year

Issue

13

Physical description

Dates

published
2018-01-29

Contributors

  • Univerzitet Singidunum Beograd

References

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  • Rus Bojan M., Cassin A. (2014) Whispers: Ulay on Ulay. Amsterdam: Valiz Foundation. Stiles, K. (2008). Cloud with its Shadow. U: Marina Abramović. London–New York: Phaidon.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_pss_2017_13_21
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