Śladem promieni Czarnego słońca Kurahary Koreyoshiego. Negrofilia w kinie japońskim

• Authors: Marek Bochniarz , Przemysław Sztafiej

Title variants

EN

Following the rays of Kurahara Koreyoshi’s Black Sun. Negrophilia in Japanese cinema

• Languages of publication: PL

Abstracts

PL

This article explores two films by Kurahara Koreyoshi: Black Sun and Safari 5000, in the context of the scholars John Russell and Jonathan D. Mackintosh’s approaches to racism and so-called negrophilia in Japanese mass-culture and cinema. The authors argue that cultural stereotypes even have a negative impact on the artistically original Japanese directors, who only seem to be independent and express their thoughts freely.

EN

This article explores two films by Kurahara Koreyoshi: Black Sun and Safari 5000, in the context of the scholars John Russell and Jonathan D. Mackintosh’s approaches to racism and so-called negrophilia in Japanese mass-culture and cinema. The authors argue that cultural stereotypes even have a negative impact on the artistically original Japanese directors, who only seem to be independent and express their thoughts freely.

Keywords

PL

Kurahara Koreyoshi; Black Sun; Safari 5000; Japanese cinema; racism

EN

Kurahara Koreyoshi; Black Sun; Safari 5000; Japanese cinema; racism; Kurahara Koreyoshi; Black Sun; Safari 5000; Japanese cinema; racism

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Przestrzenie Teorii
• Year: 2017
• Issue: 28

Dates

published

2018-05-08

Contributors

author

Marek Bochniarz

author

Przemysław Sztafiej

References

• Fujita M., Afurika “hakken”: Nihon ni okeru Afurika-zō no hensen, Iwanami shoten, Tōkyō 2005.
• Hobbs A.B.D., Phallic Power of African American Men: A Study in Japanese Literature (1930–Present), Columbus 1999.
• Mackintosh J.D., The pornographics of Japanese negrophilia, „Japan Forum” 2013, vol. 25, nr 1.
• Okada Y., Race, masculinity, and military occupation: African American soldiers’ encounters with the Japanese at Camp Gifu, 1947–1951, “The Journal of African American History” 2011, vol. 96, nr 2.
• Ōta G., The Chronicle of Lord Nobunaga, przeł. i red. J.S.A. Elionas i J.P. Lamers, Brill, Leiden/Boston 2011.
• Russell J., Race and Reflexivity: The black other in contemporary Japanese mass culture, “Cultural Anthropology” 1991, vol. 6 nr 1.
• Schilling M., Koreyoshi Kurahara, [w:] No Borders No Limits: Nikkatsu Action Cinema, Farleigh 2007.
• Tomoji A., A Negro in Cinema, przeł. A.B.D. Hobbs, [w:] A.B.D. Hobbs, Phallic Power of African American Men: A Study in Japanese Literature (1930–Present), Columbus 1999.
• Totman C., Historia Japonii, przeł. J. Hunia, Kraków 2009.
• Turim M., The Films of Oshima Nagisa: Images of a Japanese Iconoclast, Berkeley-Los Angeles-London 1998.
• Yamada A., Oczy mojego kochanka, przeł. A. Horikoshi, Warszawa 2013.

Identifiers

DOI

10.14746/pt.2017.28.13.