Obraz przestrzeni dowolnej według Gilles’a Deleuze’a

• Authors: Kamil Lipiński

Title variants

EN

The image of „any-space whatever” according to Gilles Deleuze

• Languages of publication: PL

Abstracts

PL

The subject matter of the article is Gilles Deleuze’s considerations on the concept of “any-space whatever” and its application in the cinema and the theater. This space is an outcome of the sensorimotor crisis as the development of Henri Bergson’s conception of duration to determine the potential transformations of modern cinema in the post-war period. It is expressed by a potential singularity that finds its locus in pure optical and sound situations. This conception reveals the correlation between the real and virtual connections defined by a genetic sign which relies upon differentiation. As a space characterized by an affection – image is experienced from its inside to define both disjoint and empty spaces. Such affect often emerges in a range of colors to outline the places marked by emptiness. It is strictly associated with “geometrical” orientation actualizing itself via the qualisign. Thus, this article defines the space in terms of the circuit of virtuality and actuality in time-image which crystallizes both in the cinema and TV dramas of potential exhaustion of three languages in theater performances. Namely, the first one is disruptive and enumerative; the second language consists of voices and combinative flows and the third one reunites the previous ones as the language of images, sounds, and coloring which is a movement between words.

EN

The subject matter of the article is Gilles Deleuze’s considerations on the concept of “any-space whatever” and its application in the cinema and the theater. This space is an outcome of the sensorimotor crisis as the development of Henri Bergson’s conception of duration to determine the potential transformations of modern cinema in the post-war period. It is expressed by a potential singularity that finds its locus in pure optical and sound situations. This conception reveals the correlation between the real and virtual connections defined by a genetic sign which relies upon differentiation. As a space characterized by an affection – image is experienced from its inside to define both disjoint and empty spaces. Such affect often emerges in a range of colors to outline the places marked by emptiness. It is strictly associated with “geometrical” orientation actualizing itself via the qualisign. Thus, this article defines the space in terms of the circuit of virtuality and actuality in time-image which crystallizes both in the cinema and TV dramas of potential exhaustion of three languages in theater performances. Namely, the first one is disruptive and enumerative; the second language consists of voices and combinative flows and the third one reunites the previous ones as the language of images, sounds, and coloring which is a movement between words.

Keywords

PL

any-space whatever; potentiality; audiovisuality

EN

any-space whatever; potentiality; audiovisuality; any-space whatever; potentiality; audiovisuality

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Przestrzenie Teorii
• Year: 2019
• Issue: 31
• Pages: 262-270

Dates

published

2019-12-06

Contributors

author

Kamil Lipiński

References

• Bellour R., La chambre, [w:] R. Bellour, L’entre images 2, Paris 1999.
• Bensmaïa R., L’«espace quelconque» comme «personage conceptuel», “Iris” 1997, nr. 23.
• Chyła W., Gilles Deleuze o filmowym „obrazie-ruchu” i „obrazie-czasie”. Wprowadzenie do lektury książek G. Deleuze’a poświęconych kinu, „Kwartalnik Filmowy” 1993, nr 1.
• Conley T., L’événement-cinéma, „Iris” 1997, nr. 23, Deleuze G., Kino. Obraz-czas. Obraz-ruch, przeł. J. Margański, Gdańsk 2009.
• Deleuze G., L’Epuisé, suite à Samuel Beckett, postface à “Quad”, de Samuel Beckett, Paris 1992.
• Marks L.U., The Skin of the Film. Intercultural Cinema, Embodiment, and the Senses, Durham & London 2000.
• Sauvagnargues A., Deleuze et l’art, Paris 2015.
• Zourabichvili F., Deleuze et le possible (de l’invontolarisme en politique) [w:] Gilles Deleuze, Une vie philosophique, Paris 1998.

Identifiers

DOI

10.14746/pt.2019.31.14.