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2017 | 27 | 3 |

Article title

Opera – Oratorio Oedipus Rex by Stravinsky and the Greek Original (SPhP XI, 1996)

Authors

Content

Title variants

EN
Opera – Oratorio Oedipus Rex by Stravinsky and the Greek Original

Languages of publication

PL

Abstracts

PL
This article is a voice in the discussion on the methods of stage implementation of Greek tragedy. The discussed staging of “Oedipus Rex” opera by Stravinsky (Tokyo ‚94) is dominated by non-verbal means of expression (music, set design, costume, stage movement), thus setting a supporting role for the libretto. Nevertheless, the performance arouses similar feelings and emotions as Sophocles’ drama.
EN
This article is a voice in the discussion on the methods of stage implementation of Greek tragedy. The discussed staging of “Oedipus Rex” opera by Stravinsky (Tokyo ‚94) is dominated by non-verbal means of expression (music, set design, costume, stage movement), thus setting a supporting role for the libretto. Nevertheless, the performance arouses similar feelings and emotions as Sophocles’ drama.

Year

Volume

27

Issue

3

Physical description

Dates

published
2017-12-15

Contributors

author

References

  • Primary sources:
  • Seneca, Oedipus, in: Seneca’s Tragedies.1960. London.
  • Sophocles. The Oedipus Tyrannus of Sophocles. Ed. with introduction and notes by Sir R. Jebb. 1887. Cambridge.
  • Stravinsky, I. Oedipus Rex, Opera ˗ Oratorio in two acts after Sophocles by Igor Stravinsky – Jean Cocteau. 1948. London.
  • Secondary sources:
  • Axer 1991: Axer, J. 1991. Filolog w teatrze. Warszawa.
  • Strawiński 1974: Strawiński, I. 1974. Kroniki mego życia. Transl. by J. Kydryński, Warszawa.
  • Vlad 1974: Vlad, R. 1974. Strawiński. Warszawa.

Document Type

Publication order reference

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_sppgl_2017_XXVII_3_1
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