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2018 | 45 | 3 | 15-24

Article title

Voglio essere presente come vita : Liana Millu et sa voix singulière de Birkenau

Authors

Content

Title variants

EN
Voglio essere presente come vita : Liana Millu, a singular voice from Birkenau

Languages of publication

IT

Abstracts

IT
Contemporary research on remembrance yields more and more women’s concentration camp testimonies and evidence of their unique character. The names quoted in these materials include Liana Millu (1914-2005), an Italian women of Jewish descent, an Auschwitz-Birkenau and Ravensbrück prisoner. Her work proves that the experience of trauma, though unimaginable, is utterable. Millu resorts to literary fiction to outline life stories of Birkenau women, their typical problems, ways of dealing with tham, as well as the survival strategies thay employed. Liana Millu’s testimony is an unusual attempt to show how women experienced the trauma of the camp.
EN
Contemporary research on remembrance yields more and more women’s concentration camp testimonies and evidence of their unique character. The names quoted in these materials include Liana Millu (1914-2005), an Italian women of Jewish descent, an Auschwitz-Birkenau and Ravensbrück prisoner. Her work proves that the experience of trauma, though unimaginable, is utterable. Millu resorts to literary fiction to outline life stories of Birkenau women, their typical problems, ways of dealing with tham, as well as the survival strategies thay employed. Liana Millu’s testimony is an unusual attempt to show how women experienced the trauma of the camp.

Year

Volume

45

Issue

3

Pages

15-24

Physical description

Dates

published
2018-11-22

Contributors

author
  • Université Adam Mickiewicz, Poznań

References

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  • Blanchot, M. (2000). L’écriture du désastre. Paris : Gallimard.
  • Chiappano, A. (Ed.). (2009). Essere donne nei Lager. Firenze : Giuntina.
  • Coquio, C. (2015). La Littérature en suspens. Écritures de la Shoah : le témoignage et les oeuvres. Paris : L’Arachnéen.
  • Gordon, S.C. (2017). Formes hybrides dans la littérature italienne sur la Shoah. In Revue d’Histoire de la Shoah, n. 206, L’Italie et la Shoah. Représentations, usages politiques et mémoire, https://www.cairn.info/revue-revue-d-histoire-de-la-shoah-2017-1-p 153.htm [consulté le 15.01.2018].
  • Lucamante, S. (2013). La tregua non esiste per le donne : I ponti di Schwerin di Liana Millu. In R.M. Riccobono (Ed.), A Window on the Italian Female Modernist Subjectivity : From Neera to Laura Curino (pp. 119-128). Newcastle upon Tyne : Cambrige Scholars Publishing.
  • Mengaldo, P.V. (2007). La vendetta è il racconto. Testimonianze e riflessioni sulla Shoah. Torino : Bollati Boringhieri.
  • Mesnard, Ph. (2007). Le témoignage en résistance. Paris : Éditions Stock.
  • Mesnard, Ph. (2011). Primo Levi. Le passage d’un témoin. Paris : Fayard.
  • Millu, L. (1947). Il fumo di Birkenau. Milano : Casa Editrice La Prora (réedition de 1986, Firenze : Giuntina ; pour l’édition française : La fumée de Birkenau (1993), Paris : Les Éditions du Cerf).
  • Millu, L. (1978). I ponti di Schwerin. Genova : ECIG.
  • Millu, L. (1999). Dopo il fumo. « Sono il n. A 5384 di Auschwitz Birkenau ». Brescia : Morcelliana.
  • Millu, L. (2006). Tagebuch. Il diario del ritorno dal Lager. Firenze : Giuntina.
  • Pierron, J.-Ph. (2006). Le Passage de témoin. Une philosophie du témoignage. Paris : Éditions du Cerf.
  • Semprun, J. (1994). L’écriture ou la vie. Paris : Gallimard.
  • Sessi, F. (1999). Auschwitz 1940-1945. Milano : Rizzoli (pour l’édition française : Auschwitz 1940-1945 (2014), Paris : Éditions Kimé).

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_strop_2018_453_002
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