Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2018 | 45 | 3 | 25-34

Article title

“Loro parlano da sole”. Silenzio, dialogo e polifonia in “Una donna sola” di Franca Rame come forma di querelle des femmes

Content

Title variants

EN
“They speak alone”. Silence, dialogue and polyphony in “Una donna sola” by Franca Rame as a form of querelle des femmes

Languages of publication

IT

Abstracts

IT
The protagonist of “Una donna sola” is a housewife who keeps a monologue with herself and with several invisible people outside the stage. As the plot develops different types of dialogic relationships and verbal interactions are introduced in the story. The protagonist, through her mono-dialogue, moves from a state of unconsciousness to one of awareness, from a passive victim to an active subject. Her character is the “crazy” woman who shows uncomfortable truths. The deliberate staging of the subordinate role of women becomes a form of Querelle. On the one hand Franca Rame denounces violence and male authoritarianism, on the other hand she proposes the deconstruction and reconstruction of female identities.
EN
The protagonist of “Una donna sola” is a housewife who keeps a monologue with herself and with several invisible people outside the stage. As the plot develops different types of dialogic relationships and verbal interactions are introduced in the story. The protagonist, through her mono-dialogue, moves from a state of unconsciousness to one of awareness, from a passive victim to an active subject. Her character is the “crazy” woman who shows uncomfortable truths. The deliberate staging of the subordinate role of women becomes a form of Querelle. On the one hand Franca Rame denounces violence and male authoritarianism, on the other hand she proposes the deconstruction and reconstruction of female identities.

Year

Volume

45

Issue

3

Pages

25-34

Physical description

Dates

published
2018-11-22

Contributors

  • University of Sevilla University of Ateneun Gdańsk

References

  • Arcidiacono, C. (1994). Identità femminile e psicoanalisi: da donna a donna: alla ricerca del senso di sé. Roma: FrancoAngeli.
  • Bachtin, M. (1989). Teoría y estética de la novela. Madrid: Taurus.
  • Bachtin, M. (2000). Yo tambien soy. Fragmentos sobre el otro. Madrid: Taurus.
  • Barthes, R. (1981). Lezione. Il punto sulla semiotica letteraria. Torino: Einaudi.
  • Barthes, R. (2014). Frammenti di un discorso amoroso. Torino: Einaudi.
  • Bourdieu, P. (1998). La Domination masculine. Paris: Éditions du Seuil.
  • Cerrato, D. (Ed.). (2016). Franca pensaci tu. Studi critici su Franca Rame. Roma: Aracne.
  • Cixous, E. (1975). Le Rire de la Méduse. Paris: L'Arc; edizione spagnola (1995) La risa de la medusa. Barcelona: Anthropos.
  • Clark, K., Holquist, M. (1999). La arquitectónica de la responsabilidad. Revista Folios, 10, 77-89.
  • D’Arcangeli, L. (2009). I personaggi femminili nel teatro di Dario Fo e Franca Rame. Firenze: Franco Cesati Editore.
  • D’Arcangeli, L. (2015). Marginalizzate dalla tecnologia: i personaggi femminili di Franca Rame alle prese con elettrodomestici e gadget. In Locas. Escritoras y personajes femeninos cuestionando las normas (pp. 212-213). Sevilla: ArCiBel editores.
  • Irigaray, L. (2009). Este sexo que no es uno. Madrid: Akal.
  • Jordan, I. (1999). Análisis pragmalingüístico del diálogo literario. Hispania, vol. 82, n. 2, 213-219.
  • Kelly, J. (1982). Early Feminist Theory and the “Querelle des Femmes”. Signs, vol. 8, n. 1, 4-28.
  • Lévi-Strauss, C. (2008). Tristi tropici. Milano: Il Saggiatore.
  • Lyotard, J.F. (1990). La condición postmoderna: informe sobre el saber. México: Cátedra.
  • Marfoglia, A. (2014). “Una donna sola”. Franca Rame e il linguaggio come strumento di sottomissione ed emancipazione. Palinsesti, 4, 53-67.
  • Mizzau, M. (1988). Eco e "arciso: parole e silenzi nel conflitto uomo-donna. Torino: Bollati Boringhieri.
  • Pasolini, P.P. (2015). Poesia in forma di rosa. Milano: Garzanti.
  • Rame, F., Fo, D. (1989). Venticinque monologhi per una donna. Torino: Einaudi.
  • Rivera Garretas, M. (1996). La querella de las mujeres: una interpretación desde la diferencia sexual. Política y Cultura, 6, 25-39.
  • Scott, W.J. (2000). La querelle de las mujeres de finales del siglo XX. "ew left review, 3, 97-116.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_strop_2018_453_003
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.