Патологический разум в пьесе Аси Волошиной Пациенты

• Authors: Krzysztof Tyczko

Title variants

EN

Pathological reason in Asya Voloshina’s drama Patients

PL

Патологический разум в пьесе Аси Волошиной Пациенты

• Languages of publication: RU

Abstracts

PL

In this article Asia Voloshina’s drama Patients is analysed in the context of the pathologies the characters deal with. The inspirations of her play are described, i.e. the films and memories of Luis Buñuel as well as medical cases from the practice of Oliver Sacks. The author also refers to Dante Alighieri’s The Divine Comedy. In this perspective the analysed work is a text about fear that appears when the quest for freedom is abandoned. If in The Divine Comedy in hell and purgatory are people who are sinful and do not know Christ, in the universe of the clinic in “hell” there are all those who are afraid. Voloshina’s play constitutes one out of a number of her works concerning the social and political situation in Russia. In the play, the author points to fear as the source of the viciousness of the collective consciousness. Voloshina raises a question that is characteristic of the post-Soviet space: the characters “hide from themselves and their fate”. Voloshina, however, leads them towards it.

Keywords

PL

contemporary theatre; philosophy; neurology; Oliver Sacks; Luis Buñuel

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Studia Rossica Posnaniensia
• Year: 2020
• Volume: 45
• Issue: 1
• Pages: 99-108

Dates

published

2020-06-30

Contributors

author

Krzysztof Tyczko

References

• Berdâev, Nikolaj. Èkzistencialʹnaâ dialektika božestvennogo i čelovečeskogo. Moskva, Respublika, 1993. Web. 01.10.2019. yakov.works/library/02_b/berdyaev/1944_041_1.htm#I.
• Bunûèlʹ, Luis. Moj poslednij vzdoh. Per. Aleksandra Braginskogo, Tamary Zločevskoj, Natalʹi Nusinovoj. Moskva, Raduga, 1989.
• Morawiec, Edmund. Wybrane filozoficzne koncepcje rozumu ludzkiego i racjonalność. Stare Kościeliska, Wydawnictwo Liberi Libri, 2014.
• Saks, Oliver. Čelovek, kotoryj prinâl ženu za šlâpu i drugie istorii iz vračebnoj praktiki. Per. Grigoriâ Hasina, Ûlii Čislenko. Sankt-Peterburg, Science Press, 2006. Web. 01.10.2019. yanko.lib.ru/books/psycho/saxs=hat.pdf.
• Tyczko, Krzysztof. „Wolność i tragizm w twórczości Asi Wołoszyny”. Maski wolności w dramacie i teatrze XX i XXI wieku. Red. Lidia Mięsowska, Paulina Charko-Klekot, Anna Tyka. Katowice, Wydawnictwo Naukowe „Śląsk”, 2019, s. 295–313.
• Vološina, Asâ. Pacienty. 2015. Web. 01.10.2019. mythos.spb.ru/?p=19.
• Vološina, Asâ. Pacienty, annotaciâ. Web. 01.10.2019. www.theatre-library.ru/authors/v/voloshina_asya.
• Wołoszyna, Asia. „Człowiek z ryby. Sztuka bez ścian”, fragmenty. Przeł. Krzysztof Tyczko. Teatr, nr 12, 2018, s. 80–82.

Identifiers

DOI

10.14746/strp.2020.45.1.9