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2020 | 45 | 2 |

Article title

Потенциал иронии в творчестве Людмилы Петрушевской (на примере романа Нас украли. История преступлений)

Content

Title variants

EN
The potential of irony in the works of Lyudmila Petrushevskaya (through the example of the novel Nas ukrali. Istoriya prestupleniy)

Languages of publication

PL

Abstracts

PL
Many researchers of Lyudmila Petrushevskaya’s works draw attention to the irony which is the significant element of her prose, drama and poetry. It is important that the ironic principle manifests itself not only as an artistic technique but also as a philosophical aspect. Irony demonstrates the ambivalence of reality. On the one hand, it ridicules and profanes everything. On the other hand, irony gives the certitude of the ontological status of reality. We can see a good example of this function of irony in the novel Nas ukrali. Istoriya prestupleniy (2017). This novel shows the common features of Petrushevskaya’s works – the unity of ironic potential and language. In this case, language is not only the style but first of all the ontological element. This is why the language becomes almost a character in Petrushevskaya’s novel. Irony opens the vital potential of the linguistic personality. As a result, one of the heroes imitates foreign speech but doesn’t speak a foreign language. Irony also helps to reveal the ambivalent nature of life. It shows that our “umora” in Sanskrit and in ancient Indian is “humour” and “death”. So, the game and profanity not only reduce the status of the hero, the image, or the reader’s expectations but, first of all, fill the gap between words, ideas, feelings, and people.

Year

Volume

45

Issue

2

Physical description

Dates

published
2020-10-27

Contributors

References

  • Binova, Galina. „Otironiikabsurdu: (kpoetikenovojvolny)”. Litterariahumanitas, 4, 1996, s. 379–389.
  • Gončarova-Grabovskaâ, Svetlana. „Sovremennaâ russkaâ dramaturgiâ: narušeniekanona”. NaučnyetrudykafedryrusskojliteraturyBGU, t. VII, 2012, s. 25–34.
  • Ivanova, Natalʹâ. „Dalʹše ty idešʹ odin. Proza: naličnostʹ i ličnostʹ”. Znamâ, 3, 2018. Web.07.09.2019. http://znamlit.ru/publication.php?id=6864.
  • Kozyreva, Natalʹâ. „Smehovoe načalo v hudožestvennoj literature: filosofsko-antropologičeskie izmereniâ”. Teoriâ i praktika obŝestvennogo razvitiâ, 4, 2015, s. 116–118.
  • Lejdermann, Naum, Mark Lipoveckij. Russkaâ literatura XX veka (1950–1990). T. 2. Moskva, Aka-demiâ, 2013.
  • Petruševskaâ, Lûdmila. Nas ukrali. Istoriâ prestuplenij. Moskva, Izdatelʹstvo „È”, 2017.
  • Plehanova, Irina. Principy hudožestvennoj igry Petruševskoj. Moskva, Flinta, 2019.
  • Tûpa, Valerij. „Hudožestvennostʹ”. Vvedenie v literaturovedenie. Literaturnoe proizvedenie: Osnov­nye ponâtiâ i terminy. Red. Lidiâ Černec. Moskva, Izdatelʹstvo Vysšaâ škola, Izdatelʹskij centr „Akademiâ”, 2000, s. 463–482.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_strp_2020_45_2_7
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