Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

• Authors: Emi Hamana
• Languages of publication: EN

Abstracts

EN

In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan. The company’s The Tempest reveals to contemporary Japanese audiences the ambiguity of Shakespeare’s text by experimenting with the postdramatic and a new acting style. While critically pursuing the meaning and possibility of theatre and performing arts today, this version of The Tempest powerfully presents a critical view of the blindness and dumbness of contemporary Japan, as well as the world represented in the play.

Keywords

EN

An additional ending; delusion; magic; violence; the 11 March 2011 disaster

• Publisher: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
• Journal: Multicultural Shakespeare: Translation, Appropriation and Performance
• Year: 2016
• Volume: 14
• Issue: 29
• Pages: 73-85

Dates

published

2016-12-30

Contributors

author

Emi Hamana

• Tokyo Woman’s Christian University

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Identifiers

DOI

10.1515/mstap-2016-0017