Dzieło Jehana Titelouze’a i jego znaczenie w krystalizacji stylu organowego

• Authors: Krzysztof Pawlisz
• Languages of publication: PL

Abstracts

PL

The organ work of Jehan Titelouze has considerable meaning in developement of organ music in France. His two books: Hymnes de l’Eglise pour toucher sur l’orgue, avec les fugues et recherches sur leur plain-chant (1623) and Le Magnificat, ou cantique de la Vierge pour toucher sur l’orgue, suivant les huit tons de l’Eglise (1626) are a great testimony of french organ music at the beginnig of XVIIth century. Titelouze is considered both a traditionalist and an innovator. His organ style is firmly rooted in the structures and the compositional techniques of the renaissance polyphony. The significant inspiration for Titelouze was a new invented type of organ. Composer in a conscious way used its technical and sound possibilities for create new stuctures with diligent counterpoint, organ ornamentation and the linear stucture.

EN

The organ work of Jehan Titelouze has considerable meaning in developement of organ music in France. His two books: Hymnes de l’Eglise pour toucher sur l’orgue, avec les fugues et recherches sur leur plain-chant (1623) and Le Magnificat, ou cantique de la Vierge pour toucher sur l’orgue, suivant les huit tons de l’Eglise (1626) are a great testimony of french organ music at the beginnig of XVIIth century. Titelouze is considered both a traditionalist and an innovator. His organ style is firmly rooted in the structures and the compositional techniques of the renaissance polyphony. The significant inspiration for Titelouze was a new invented type of organ. Composer in a conscious way used its technical and sound possibilities for create new stuctures with diligent counterpoint, organ ornamentation and the linear stucture.

Keywords

PL

francuska muzyka organowa; hymny; muzyka liturgiczna; Magnificat; organy; polifonia renesansowa; Jehan Titelouze

EN

French organ music; hymns; liturgical music; the Magnificat; pipe organ; polyphony of the Renaissance; Jehan Titelouze

• Publisher: Uniwersytet Papieski Jana Pawła II w Krakowie
• Journal: Pro Musica Sacra
• Year: 2013
• Volume: 11

Dates

published

2013

online

2013-10-30

Contributors

author

Krzysztof Pawlisz

editor

Bolesław Karcz

editor

Robert Tyrała

editor

Andrzej Zając

editor

Wiesław Delimat

editor

Jan Józef Janicki

editor

Jadwiga Malik

editor

Lucyna Sterczewska

editor

informatycy UPJPII

editor

Weronika Pasek

other

Bolesław Karcz

other

Jadwiga Malik

other

Lucyna Sterczewska

other

informatycy UPJPII

other

Weronika Pasek

Identifiers

DOI

10.15633/pms.562