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2023 | 4(142) | 171-181

Article title

Who Owns the Truth? – Review from the Festival of Arts, Science, and Society – Ars Electronica 2023

Authors

Content

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Abstracts

Keywords

Year

Issue

Pages

171-181

Physical description

Dates

published
2023

Contributors

author
  • Jagiellonian University
  • Academy of Fine Arts in Krakow

References

  • Adamiak, M. (2018). Materia w procesie. Metafizyka splątania Karen Barad wobec aporii dyskursu o wykluczeniach. In O. Cielemęcka, & M. Rogowska-Stangret (Eds.), Feministyczne nowe materializmy: usytuowane kartografie (pp. 163–181). E-naukowiec.
  • Dolphijn, R., & Tuin, I. (2018). Nowy materialism. Wywiady i kartografie. Fundacja Machina Myśli.
  • Kurzweil, R. (2005). The singularity is near: when humans transcend biology. Viking, Penguin Group.
  • Lloyd, S., & Ng, J. (2004). Black Hole Computers. Scientific American, 291(5), 52–61. https://cse.buffalo.edu/~rapaport/111F04/lloyd-ng-sciam-04.pdf; https://www.scientificamerican.com/article/black-hole-computers-2007-04
  • Pollick, F. E. (2009). In Search of the Uncanny Valley. In P. Daras, & O. Mayora Ibarra (Eds.), User Centric Media (pp. 69–78). Springer. https://www.researchgate.net/publication/221435657_In_Search_of_the_Uncanny_Valley
  • Psarras, B. (2013). Hybrid walking as art. In D. Charitos et al. (Eds.), Subtle Revolutions (pp. 415-422). University Research Institute of Applied Communication.
  • Stocker, G., & Jandl, M. (2023). Ars Electronica 2023, Festival for Art, Technology, and Society – Who Owns the Truth? Hatje Cantz Verlag GmbH. https://ars.electronica.art/who-owns-the-truth/en/download
  • Stocker, G., & Jandl, M. (2023). Prix Ars Electronica 2023. Hatje Cantz Verlag. https://ars.electronica.art/who-owns-the-truth/en/download
  • Website and trailer Silke Grabingre and the performance SpotsHotbeuys. (n.d.). https://www.silk.at/actual-projects/spotshotbeuys
  • Website Ars Electronica, concerning the S+T+ARTS PRIZE. (n.d.). https://starts-prize.aec.at/en
  • Website Ars Electronica, dedicated to Adam Brown, Shadows from the Walls of Death. (n.d.). https://calls.ars.electronica.art/2023/prix/winners/6870
  • Website of group Rimini Protokoll. (n.d.). https://www.rimini-protokoll.de/website/en/about-sk
  • Website of Sama Ibrahim, dedicated to the installation Calibeaute. (2022). https://salxxma.com/installations
  • Website of the Centre de Cultura Contemporà de Barcelona, dedicated to Samira Benini Aallaouat’s work, Geo-Llum. (n.d.). https://www.cccb.org/en/activities/file/geo-llum-by-samira-benini-allaouat/238293
  • Website of the collective Crosslucid and the work About Dwellers Between the Waters. (n.d.). https://nft.gazell.io/collections/crosslucid-dwellers-between-the-waters
  • Website of the collective Medium, dedicated to Winnie Soon, Unerasable Characters. (n.d.). https://medium.com/@yasmine_25866/winnie-soon-unerasable-characters-96734778f553
  • Website of the collective panGenerator dedicated to hash2ash. (2017). https://pangenerator.com/projects/hash2ash
  • Website of the collective panGenerator dedicated to the cycle Icons. (2020). https://pangenerator.com/projects/icons

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
27177632

YADDA identifier

bwmeta1.element.ojs-doi-10_15804_kie_2023_04_11
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