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2023 | 28 | 43 | 89-108

Article title

Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe-and Beyond

Content

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Abstracts

EN
This collectively authored position paper discusses “hybrid” Shakespeares in Central and Eastern Europe, focusing on productions that offer formal experimentation and transnational perspectives. While their contexts remain regional, they provide an insight into how Shakspeare has been mobilised regionally. The paper consists of four distinct parts, each considering Shakespeare in a hybrid form: in opera, dance and musical theatre as well as puppetry in the transnational, regional context. The general discussions of Shakespeare’s presence/appropriation in these art forms are followed by case studies that illustrate the significance of hybridity that characterises Shakespeare in the Central and Eastern European transnational context. Our brief analyses and selected case studies suggest a need for a detailed study of Shakespeare and performative arts in Central and Eastern Europe that would concentrate on the transgressive impulse these theatrical blends realised through formal experiment and artistic innovation.  

Year

Volume

28

Issue

43

Pages

89-108

Physical description

Dates

published
2023

Contributors

  • University of Warsaw, Poland
  • Masaryk University, Czech Republic
  • University of Lodz, Poland
  • University of West Bohemia, Czech Republic
  • Péter Pázmány Catholic University, Hungary

References

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  • Billing, Christian M. and Pavel Drábek. “Czech Puppet Theatre in Global Contexts: Roots, Theories and Encounters.” Theatralia. Czech Puppet Theatre in Global Contexts: Roots, Theories and Encounters 18 (2015): 2: 5-31.
  • Bottez, Alina. “Graham Vick’s production.” Received by Gabriella Reuss. 18 June 2023.
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  • Golonka, Marek. Polski megamusical?: teatr Wojciecha Kościelniaka a światowy teatr musicalowy. [Polish megamusical? Wojciech Koscielniak’s theatre and the world’s musical theatre] Warsaw: Wydawnictwa Uniwersytetu Warszawskiego, 2023.
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  • Gyárfás, Orsolya. “All Good Fun: A Flesh-and-Blood Falstaff at Müpa Budapest.” BachTrack, 08 March 2018. https://bachtrack.com/review-falstaff-ivan-fischer-budapest-festival-orchestra-mupa-march-2018 Accessed 18 June 2023.
  • Klaić, Dragan. Resetting the Stage: Public Theatre between the Market and Democracy. Bristol/Chicago: Intellect, 2012.
  • Klein, Gabriele. “Transnationale und Postkoloniale Tanzkulturen.” Globale Jugend und Jugendkulturen: Aufwachsen im Zeitalter der Globalisierung. Eds. Dirk Villányi, Matthias D. Witte and Uwe Sander. Gelsenkirchen: Beltz Juventa, 2007. 283-298.
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  • Limon, Jerzy and Agnieszka Żukowska. “Introduction.” Theatrical Blends: Art in the Theatre, Theatre in the Arts. Ed. Jerzy Limon and Agnieszka Żukowska. Gdańsk: Theatrum Gedanense Foundation, 2010.
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  • Mikołajczyk, Jacek. Musical nad Wisłą: historia musicalu w Polsce w latach 1957-1989. [Musical by the Vistula River: History of Musical in Poland 1957-1989]. Gliwice: Gliwicki Teatr Muzyczny, 2010.
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  • Pitak-Piaskowska, Barbara. “Brush up your Shakespeare! O szekspirowskich inspi-racjach w amerykańskim musicalu teatralnym i filmowym (na wybranych przy-kładach).” [“Brush up your Shakespeare! On Shakespearean Inspirations in American Theatrical and Film Musical (On selected Examples)].” Konteksty Kultury 4 (2014): 421-434.
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  • Shapiro, Sherry Badger. “Dance as Activism: The Power to Envision, Move and Change.” Dance Research Aotearoa 4 (2016): 3-33.
  • Truksová, Barbora. “Pilsen Taming of the Shrew is a Dance Triumph.” 17 November 2017. https://alenapeskova.cz/en/plzenske-zkroceni-zle-zeny-je-tanecnim-triumfem Accessed 29 November 2023.
  • Teague, Fran. “Shakespeare and Musical Theatre.” The Edinburgh Companion to Shakespeare and the Arts. Eds. Mark Thornton Burnett, Adrian Streete and Ramona Wray. Edinburgh University Press: Edinburgh, 2011. 185-199. https://doi.org/10.1515/9780748635245-014
  • Tomaszewska, Ewa. “A Midsummer Night’s Dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko.” Theatralia 21.2 (2018): 95-111. https://doi.org/10.5817/TY2018-2-7
  • Waszkiel, Marek. Dzieje teatru lalek w Polsce 1944-2000. [History of Puppet Theatre in Poland 1944-2000]. Warsaw: Akademia Teatralna im. Aleksandra Zelwerowicza w Warszawie, 2012.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
39773465

YADDA identifier

bwmeta1.element.ojs-doi-10_18778_2083-8530_28_05
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