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Title variants
One, none and one thousand. An Italian woman as a medium
Jedna, żadna i sto tysięcy. Włoszka jako medium
Jedna, żadna i sto tysięcy. Włoszka jako medium
Languages of publication
Abstracts
The stake in a heated discussion on reviving tarantism in the Salentian culture by initiators and partcicipants of the project ‘The spider of a dancing god’ was the reinterpretation of the phenomenon itself: tarantism, which was perceived as a thing of the past and an embarrassing social problem, was to become artistically modified, namely isolated from life and displayed on stage. Rejecting tarantism as a folk practice and an attempt at representing it could also be interpreted as turning a blind eye to the problem of a woman’s position in society, without proposing anything in turn. Technological and social progress did not go hand in hand with the emancipation of an Italian woman. Luigi Piradnello in his drama, and Franka Rame in her monodrama captured this phenomenon brilliantly.
The stake in a heated discussion on reviving tarantism in the Salentian culture by initiators and partcicipants of the project ‘The spider of a dancing god’ was the reinterpretation of the phenomenon itself: tarantism, which was perceived as a thing of the past and an embarrassing social problem, was to become artistically modified, namely isolated from life and displayed on stage. Rejecting tarantism as a folk practice and an attempt at representing it could also be interpreted as turning a blind eye to the problem of a woman’s position in society, without proposing anything in turn. Technological and social progress did not go hand in hand with the emancipation of an Italian woman. Luigi Piradnello in his drama, and Franka Rame in her monodrama captured this phenomenon brilliantly.
The stake in a heated discussion on reviving tarantism in the Salentian culture by initiators and partcicipants of the project ‘The spider of a dancing god’ was the reinterpretation of the phenomenon itself: tarantism, which was perceived as a thing of the past and an embarrassing social problem, was to become artistically modified, namely isolated from life and displayed on stage. Rejecting tarantism as a folk practice and an attempt at representing it could also be interpreted as turning a blind eye to the problem of a woman’s position in society, without proposing anything in turn. Technological and social progress did not go hand in hand with the emancipation of an Italian woman. Luigi Piradnello in his drama, and Franka Rame in her monodrama captured this phenomenon brilliantly.
Keywords
Year
Volume
Pages
298-306
Physical description
Dates
published
2019-12-25
Contributors
References
- A.O., Tak jest, jak się państwu zdaje, „Radio i Telewizja”, 9.07.1967, nr 28, http://encyklopediateatru.pl/artykuly/172465/tak-jest-jak-sie-panstwu-zdaje (dostęp 8.05.2017).
- B.B., Tak jest, jak się państwu zdaje, „Radio i Telewizja”, 25.06.1967, nr 26, http://encyklopediateatru.pl/artykuly/172487/tak-jest-jak-sie-panstwu-zdaje (dostęp 8.05.2017).
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- De Martino E., Ziemia zgryzoty, przeł. W. Marucha, Warszawa 1971.
- Heistein J., Wstęp, [do:] L. Pirandello, Wybór dramatów, oprac. J. Heistein, przeł. Z. Jachimecka, L. Chrzanowski i J. Jędrzejewicz, Wrocław 1978, s. III–LXXVI.
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- Łubieniewska E., Telewizyjne gry Pirandellem, „Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria XVII” 2017, s. 135–149.
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- Passerini L., Ambiwalencja wizerunku kobiety w kulturze masowej, [w:] Antropologia ciała, oprac. A. Chałupnik, J. Jaworska, J. Kowalska-Leder, I. Kurz i M. Szpakowska, red. M. Szpakowska, Warszawa 2008, s. 103–127.
- Pirandello L., Wybór dramatów, oprac. J. Heistein, przeł. Z. Jachimecka, L. Chrzanowski i J. Jędrzejewicz, Wrocław 1978.
- Pizza G., Il tarantismo oggi. Antropologia, politica, cultura, Roma 2015. Przedruk fragmentów w przekładzie na język polski: G. Pizza, Psychodeliczny pająk Lapassade’a, przeł. A. Koman i K. Woźniak, „Performer” 2017, nr 14, http://www.grotowski.net/ performer/performer-14/psychodeliczny-pajak-lapassade (dostęp: 23.09.2019).
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- Puzyna K., Pestka, [w:] tegoż, Burzliwa pogoda. Felietony teatralne, Warszawa 1971, s. 41.
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Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-doi-10_24917_20811853_19_20
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