„Przywracając widza do zmysłów”. O kinestetycznym doświadczeniu w interdyscyplinarnych instalacjach choreograficznych

• Authors: Regina Lissowska-Postaremczak

Title variants

EN

‘Bringing the viewers back to their senses.’ Kinaesthetic experience in interdisciplinary choreographic installations

Abstracts

EN

This article discusses creative strategies employed by artists to redefine the role of visuality in the presentation and reception of dance. By doing it, they undermine the well-established aesthetic and interpretative approaches to the art of dance, focusing on perception mechanisms and sensory experiences of the audience. Four choreographic projects/installations are discussed in which audio, visual, and audiovisual media are used: an installation that designs the choreographic environment, a choreoauratic installation, a performance installation that uses the AR technology, and an immersive VR 3D 360° installation. They emphasise the proprioceptive and haptic experiences and the kinaesthetic awareness in the processes of creation and reception, concentrating on the body as the perceiving subject rather than the perceived object. Focusing on the viewer’s corporeal experience, they do not only step beyond the conventional visuality-based approach to dance but also broaden our thinking about its possible (and by definition sightcantered) audiovisual presentation, thus acknowledging a wider spectrum of sensory experiences.

Keywords

PL

taniec; strategie choreograficzne; percepcja tańca; kinestezja

EN

dance; choreographic strategies; dance perception; kinaesthesia

• Publisher: Narodowe Centrum Kultury
• Journal: Kultura Współczesna. Teoria. Interpretacje. Praktyka
• Year: 2020
• Volume: 111
• Issue: 4
• Pages: 122-134

Contributors

author

Regina Lissowska-Postaremczak

• https://orcid.org/0000000314970051

Identifiers

DOI

10.26112/kw.2020.111.09

Biblioteka Nauki

1944355