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Journal

2022 | 40 | 2 | 375-385

Article title

The Portrait of Isaac in Genesis 27: Between Synchronic and Diachronic Readings of Patriarch’s Character

Authors

Content

Title variants

Languages of publication

Abstracts

EN
Modern critical reception characterizes patriarch Isaac as a particular character type: the schlemiel. This article provides a tour through the cumulative evidence for this comedic read, focusing on Genesis 27, the blessing of Jacob. It provides a revised narratological and literary context, arguing that Isaac’s fivefold questioning demonstrates not confusion, but awareness: he knows exactly which son is in front of him. The paper presents an alternative narratological and literary context for Isaac, framing his questions in terms of the editing process: a synchronic reading of Isaac’s acumen is corroborated by evidence from diachronic reading. The redaction history of the Isaac material in chapter 26 yields a number of points suggesting the dependence of the Abraham material on the Isaac narrative. A number of features indicate a stronger, less subordinate Isaac figure based on the earlier tradition revealed by a complex transmission history than the image arising from the mainstream synchronic reading of chapter 27 seems to depict.

Journal

Year

Volume

40

Issue

2

Pages

375-385

Physical description

Dates

published
2022

Contributors

author
  • Hellenic College, Boston, MA

References

  • Aaron, D.H., Genesis Ideology. Essays on the Uses and Meanings of Stories (Eugene, OR: Cascade Books 2017).
  • Anderson, J.E., Jacob and the Divine Trickster. A Theology of Deception and YHWH’s Fidelity to the Ancestral Promise in the Jacob Cycle (Winona Lake, IN: Eisenbrauns 2011).
  • Bledstein, A., “Binder, Trickster, Heel, and Hairy-Man: Rereading Genesis 27 as a Trickster Tale Told by a Woman,” A Feminist Companion to Genesis (ed. A. Brenner; Sheffield: Sheffield Academic Press 1993) II, 282–295.
  • Boase, E., “Life in the Shadows: The Role and Function of Isaac in Genesis: Synchronic and Diachronic Readings,” Vetus Testamentum 51/3 (2001) 312–335. DOI: http://dx.doi.org/10.1163/15685330152913594.
  • Danta, C., “Sarah’s Laughter: Kafka’s Abraham,” Modernism/Modernity 15/2 (2008) 343–359. DOI: https://doi.org/10.1353/mod.2008.0048.
  • Hoover, N., “Who are You?” Reading and Judging Character in Genesis 26:34–28:9 (Master’s thesis; Seattle Pacific Seminary; Seattle, WA 2015).
  • Jackson, M., Comedy and Feminist Interpretation of the Hebrew Bible. A Subversive Collaboration (Oxford Theological Monographs; Oxford: Oxford University Press 2012).
  • Kaminsky, J.S., “Humor and the Theology of Hope: Isaac as a Humorous Figure,” Interpretation 54/4 (2000) 363–375. DOI: https://doi.org/10.1177/002096430005400403.
  • Kovacs, G. – Marshall, C.W. (eds.), Son of Classics and Comics (Oxford – New York: Oxford University Press 2015).
  • McCarthy, D.J., “Three Covenants in Genesis,” The Catholic Biblical Quarterly 26/2 (1964) 179–189.
  • O’Neill, B., “A Formal System for Understanding Lies and Deceit,” https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.116.4728&rep=rep1&type=pdf (revision of a paper given at the Jerusalem Conference on Biblical Economics, Hebrew University, 2000 [2003]).
  • Schwartz, S., “Brothers of Choice, Chosen Brothers; Rama/Bharata; Jacob/Esau,” Literature and Theology 6/1 (1992) 11–22. DOI: https://doi.org/10.1093/litthe/6.1.11.
  • Wenham, G.J., Genesis 16–50 (Word Biblical Commentary 2; Waco, TX: Nelson 1994).
  • Westermann, C.S., Genesis 12–36. A Commentary (trans. J.J. Scullion; Minneapolis, MN: Augsburg 1985).
  • Whedbee, J.W., The Bible and the Comic Vision (Cambridge – New York: Cambridge University Press 1998).
  • Zucker, D.J., “The Deceiver Deceived: Rereading Genesis 27,” Jewish Bible Quarterly 39/1 (2011) 46–58.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2088013

YADDA identifier

bwmeta1.element.ojs-doi-10_31743_vv_13351
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