Recognizing a Polish National Idiom in Global Art: Two Exhibitions of Polish Contemporary Art Abroad

• Authors: Jarosław Lubiak

Keywords

EN

Art and Documentation; Polish National Idiom; Global Art; Polish Contemporary Art

• Publisher: Akademia Sztuk Pięknych w Gdańsku
• Journal: Sztuka i Dokumentacja
• Year: 2022
• Issue: 27
• Pages: 169-176

Dates

published

2022

Contributors

author

Jarosław Lubiak

• Akademia Sztuki w Szczecinie

References

• Balibar, Étienne. “The Nation Form: History and Ideology.” Review (Fernand Braudel Center) 13, no. 3 (1990): 329-61.
• Belting, Hans. “Contemporary Art as Global Art A Critical Estimate.” In The global art world: audiences, markets, and museums. Edited by Hans Belting and Andrea Buddensieg, 38-73. Ostfildern: Hatje Cantz, 2009.
• Belting, Hans. “From World Art to Global Art: View on a New Panorama.” In The global contemporary and the rise of new art worlds. Edited by Hans Belting, Andrea Buddensieg and Peter Weibel, 28-34. Cambridge, MA: MIT, 2013.
• Czaban, Anna, Jarosław Lubiak, and Ūla Tornau. Waiting for Another Coming: Exhibition Guidebook. Warszawa: CSW Zamek Ujazdowski, 2018.
• Foucault, Michael. “Of Other Spaces: Utopias and Heterotopias.” Foucault.info. Accessed 27.07.2022. https://foucault.info/documents/heterotopia/foucault.heteroTopia.en/.
• Jones, Caroline A. The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. Chicago-London: University of Chicago, 2016.
• Lecercle, Jean-Jacques. A Marxist Philosophy of Language. Translated by Gregory Elliott. Leiden-Boston: Brill, 2006.
• Slavs and Tatars: Wripped Scripped. Berlin: Hatje Cantz, 2018.

Identifiers

DOI

10.32020/ArtandDoc/27/2022/14

Biblioteka Nauki

2170562