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2022 | 27 | 77-91

Article title

The Politics of Appearance: Tadeusz Kantor Exhibiting in Sweden 1958–2014

Authors

Content

Title variants

Languages of publication

Abstracts

Year

Issue

27

Pages

77-91

Physical description

Dates

published
2022

Contributors

  • Södertörn University

References

  • Kantor. Göteborg: Galleri 54, 1960. Exhib. cat.
  • Arvidsson, Kristoffer. “Den romantiska postmodernismen. Konstkritiken och det romantiska i 1980 – och 1990-talets svenska konst.” Ph.D. Dissertation, Göteborgs Universitet, 2008.
  • Åström, Lars Erik. “Polskt måleri under 50 år.” Svenska Dagbladet [Stockholm], 3.05.1959.
  • Åström, Lars Erik. “Trädet, muren och tecket.” In Kring spontanismen. Vandringsutställning, n.p. Stockholm: Riksförbundet för bildande konst, 1959.
  • Bergmark, Torsten. “Hur fri är fri polsk konst?” Dagens Nyheter [Stockholm], 2.10.1968.
  • Bergström, Per Borissov, Oggy Donatsch, and Jürg and Anna Strand, eds. Ahrenberg Collection. Göteborg-Linköping: Göteborgs konstmuseum-Östergötlands länsmuseum, 1993.
  • Bydler, Charlotte. “Piotr Piotrowski. In Memoriam.” Baltic Worlds, no. 3-4 (2015): 12-13.
  • Dossin, Catherine. The Rise and Fall of American Art, 1940s-1980s. Farnham: Ashgate Publishing, 2015.
  • Edling, Marta. “Building New Collaborations With Old Networks: The Early Years 1945-59.” In 75 YEARS – The Nordic Art Association’s Swedish Section. Edited by Björn Norberg, Camilla Larsson and Jonatan Habib Engqvist, 17-20. Stockholm: Orfeus Publishing, 2020.
  • Edling, Marta. “From Margin to Margin? The Stockholm Paris Axis 1944–1953.” Konsthistorisk tidskrift/Journal of Art History 88, no. 1 (2019): 1-16. https://doi.org/10.1080/00233609.2019.1576764.
  • Eklund, Hans. “Polska modernister.” Aftonbladet [Stockholm], 27.05.1959.
  • Eriksson, Fredrik, ed. Det började i Polen. Sverige och Solidaritet 1980-1981. Huddinge: Södertörns högskola, 2013.
  • Femtio år polskt måleri. Stockholm: Kungl. Konstakademien, 1959. Exhib. cat.
  • “Föreläsning o performance, 7 feb -07.” Weld. Accessed 29.07.2022. https://www.weld.se/program/talk-and-performance-7-february-07/sv/.
  • Fri polsk konst. Stockholm: Sveagalleriet, 1968. Exhib. cat.
  • Granath, Olle. Interviewed by Camilla Larsson (2015).
  • Granath, Olle. “Polskt i Kulturhuset: Konstruktivister med uppgift att bygga en ny socialism.” Dagens Nyheter [Stockholm], 29.11.1975.
  • Jakubowska, Agata. “Personalising the Global History of Pop Art. Alina Szapocznikow and Maria Pininska-Beres.” In Art in Transfer in the Era of Pop. Curatorial Practices and Transnational Strategies. Edited by Annika Öhrner, 237-62. Huddinge: Södertörn University, 2017.
  • Jensen, Robert. “Measuring Canons: Reflections on Innovation and the Nineteenth-century Canon of European Art.” In Partisan Canons. Edited by Anna Brzyski, 27-54. Durham-London: Duke University Press, 2007.
  • Johansson, Stig. “Bra och prisbillig polsk konst.” Svenska Dagbladet [Stockholm], 1.10.1968.
  • Kemp-Welch, Klara. Antipolitics in Central European Art. Reticence as Dissidence Under Post-Totalitarian Rule 1956-1989. London: I.B. Tauris, 2015.
  • Kępiński, Zdzisław. “Inledning.” In Femtio år polskt måleri, 9-17. Stockholm: Kungliga konstakademin, 1959.
  • Kring spontanismen. Vandringsutställning. Stockholm: Riksförbundet för bildande konst, 1959. Exhib. cat.
  • Kylberg Chagall till Miro Hartung Matta. Lund: Lunds Konsthall, 1960. Exhib. cat.
  • Larsson, Camilla. “Framträdanden. Performativitetsteoretiska tolkningar av Tadeusz
  • Kantors konstnärskap.” Ph. D. Dissertation, Södertörn Universitet, 2021.
  • Leach, Martin Paul. “‘Even the thing I am…’: Tadeusz Kantor and the Poetics of Being.” Ph.D. Dissertation, De Montfort University, 2012.
  • Linde, Ulf. “Konstkrönika.” Dagens Nyheter [Stockholm], 8.05.1959.
  • Markowska, Anna. “Rewizjonistyczny skok w Krzysztoforach.” In W cieniu krzesła: Malarstwo i sztuka przedmiotu Tadeusza Kantora. Edited by Tomasz Gryglewicz, 47-58. Krakow: IHS UJ, 1997.
  • Murawska-Muthesius, Katarzyna, and Natalia Zarzecka, eds. Kantor was here. Tadeusz Kantor in Great Britain. London: Black Dog Publishing, 2011.
  • Myrstener, Pella. “Exhibiting art in a European Periphery? International Art in Sweden during the Cold War 1945–1969.” Ph.D. Dissertation, Södertörn University, 2021.
  • Nilsson, John Peter. “Introduction.” In Society Acts. The Moderna Exhibition, 9. Malmö: Moderna Museet, 2014.
  • Nordenankar, Agneta. “Dialog med åtta polacker.” Dagens Nyheter [Stockholm], 7.09.1985.
  • Öhrner, Annika. “Barbro Östlihn & New York: Konstens rum och möjligheter.” Ph.D. Dissertation, Uppsala Universitet, 2010.
  • Öhrner, Annika. “Introduction.” In In Art in Transfer in the Era of Pop: Curatorial Practices and Transnational Strategies. Edited by Annika Öhrner. Södertörn Studies in Art History and Aesthetics, 11-20. Huddinge: Södertörn Universitet, 2017.
  • Olvång, Bengt. “Öster- och västerut i konsten.” Aftonbladet [Stockholm], 26.09.1968.
  • Packham, Monte. “Ett liv med Matisse, Picasso och Christo: Theodor Ahrenberg och hans samling.” Translated by Jan Risheden. Edited by Carrie Pilto, 250-69. Stockholm: Arvinius-Orfeus Publishing, 2018.
  • Piotrowski, Piotr. “How to Write a History of Central-East European Art.” Third Text 23, no. 1 (2009): 5-14.
  • Piotrowski, Piotr. In the Shadow of Yalta. Art and The Avant-garde in Eastern Europe, 1945-1989. London: Reaktion Books, 2009.
  • Piotrowski, Piotr. “Towards a Horizontal History of the European Avant-Garde.” In Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent. Edited by Sascha Bru and Peter Nicholls, 49-58. Berlin: De Gruyter, 2009.
  • Piotrowski, Piotr. “Why Were There No Great Pop Art Curatorial Projects In Eastern Europe In The 1960s?” In Art in Transfer in the Era of Pop: Curatorial Practices and Transnational Strategies. Edited by Annika Öhrner. Södertörn Studies in Art History and Aesthetics, 21-36. Huddinge: Södertörn Universitet, 2017.
  • Pleśniarowicz, Krzysztof. The Dead Memory Machine. Tadeusz Kantor´s Theatre of Death. Translated by William Brand. Aberystwyth: Black Mountain Press, 2004.
  • Schorlemmer, Uta, ed. Kunst ist ein Verbrechen. Tadeusz Kantor, Deutschland und die Schweiz. Erinnerungen – Dokumente – Essays – Filme auf DVD. Nürnberg: Verlag für moderne Kunst-Cricoteka, 2007.
  • Society Acts. The Moderna Exhibition. Malmö: Moderna Museet, 2014. Exhib. cat.
  • Söderberg, Rolf. “Agnes Widlund legend inom svensk konsthandel.” Dagens Nyheter [Stockholm], 25.02.2005.
  • Stanisławski, Ryszard. “Tadeusz Kantor.” In Tadeusz Kantor, emballage, 1-2. Stockholm: Kulturhuset, 1975-76.
  • Stankiewicz, Sebastian. "Akcjonizm Tadeusza Kantora w kontekście happeningu zachodniego. Kilka uwag na temat odrębności." In W cieniu krzesła: Malarstwo i sztuka przedmiotu Tadeusza Kantora. Edited by Tomasz Gryglewicz, 56-68. Kraków: IHS UJ, 1997.
  • Stenström, Urban. “Vår största Matissesamling lämnar landet – för ett år.” Svenska Dagbladet [Stockholm], 12.11.1958.
  • “Tadeusz Kantor.” Moderna Museet Malmö. Accessed 27.07.2022. https://sis.modernamuseet.se/search/Tadeusz%20Kantor.
  • Tadeusz Kantor, emballage. Stockholm: Kulturhuset Stadsteatern, 1975. Exhib. cat.
  • Tadeusz Kantor. Polsk abstrakt expressionism. Stockholm: Konstsalongen Samlaren, 1958. Exhib. cat.
  • Wadstein MacLeod, Katarina. “Troubling Peripheries: Pierre Restany and Superlund.” Konsthistorisk tidskrift / Journal of Art History 90, no. 1 (2021): 13-24.
  • Wettre, Håkan. “En brytningstid. Endre Nemes - en främling i provinsen.” In Valand från ritskola till konsthögskola. Edited by Irja Bergström, 114-19. Göteborg: Göteborgs Universitet, 1991.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2170569

YADDA identifier

bwmeta1.element.ojs-doi-10_32020_ArtandDoc_27_2022_8
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