Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2020 | 1 | 2 |

Article title

Воєнне кіно в об’єктиві Дельозіанської часової тріади: Війна як пам'ять, подія та образ

Content

Title variants

EN
War cinema through Deleuze’s time triad lens: war as memory, an event and a picture

Languages of publication

Abstracts

EN
War cinema occupies a special place in the structure of cinematography. Its specificity lies in the subject matter itself, which is the basis of the plot, idea, expression, namely war. Modern cinema with its advanced technical means with the ability to create special effects, additional means of expression tries to convince the viewer that the concept of war is transformed, changed. In this article we will try to show that, first of all, the concept of war itself remains unchanged. Thanks to J. Deleuze's „time triad”, we will try to unravel the specifics of war film by integrating each film concepts: event, memory, time. And so, let's try to come to the conclusion that war is always an event that happends in time and which the viewer actualizes by watching, and the film maker - shooting a movie about war. Accordingly, each of them triggers the memory of a historical or individual, but one that shapes the duration of the event. War cinema is an actualization of some specific event in the memory matrix. An event that does not disappear in the past but unfolds into a permanent future through reminiscences and images of it. Thus, war cinema is a circulation of images of individual war events, as well as the unfolding and proclamation of all the diversity and multiplicity of variations of the war itself.

Contributors

  • National Pedagogical Drahomanov University in Kyiv

References

  • Bergson Henri. L'évolution créatrice. Paris, 2013, 498 р.
  • Deleuze Gilles et Guattari Pierre-Félix. Qu'est-ce que la philosophie. Paris, les Éditions de Minuit, septembre, 1991, pp. 207.
  • Deleuze Gilles. Cinéma 1. L'Image-Mouvement. Рaris, Les Éditions de Minuit, 1983, 296 р.
  • Deleuze Gilles. Cinéma 2. L'Image-Temps. Рaris, Les Éditions de Minuit, 1985, 384 р.
  • Deleuze Gilles. Différence et répétition. Paris, Presses Universitaires de France, 1968, 384 р.
  • Deleuze Gilles. Empirisme et subjectivité. Paris: Presses, 1993, Р. 5-14.
  • Deleuze Gilles. Logique du sens. Paris, Les Editions de Minuit, coll. „Critique”, 1969, 392 p.
  • Eggers Robert. „The Lighthouse”, (2019) [Electronic resource]. URL: https://www.imdb.com/title/tt7984734/
  • Fukunaga Cary Joji. „Beasts of No Nation”, (2015). [Electronic resource]. URL: https://www.imdb.com/title/tt1365050/
  • Keaton Buster. „Film”, (1965). [Electronic resource]. URL: https://www.imdb.com/name/nm0000036/
  • Kuosmanen Juho. „The Happiest Day in the Life of Olli Maki”, (2016). [Electronic resource]. URL: https://www.imdb.com/title/tt4771932/
  • Loznitsa Sergei „Austerlitz”, (2016). [Electronic resource]. URL: https://www.imdb.com/title/tt6042860/
  • Mendes Sam. „1917”, (2019). [Electronic resource]. URL: https://www.imdb.com/title/tt8579674/
  • Mikhailov Boris. Unfinished Dissertation. Switzerland, 1999.
  • Mundruczó Kornél. „White God”, (2014). [Electronic resource]. URL: https://www.imdb.com/title/tt2844798/?ref_=fn_al_tt_1
  • Muratova Kira. „The Asthenic Syndrome”, (1989). [Electronic resource]. URL: https://www.imdb.com/title/tt0096841/
  • Pallaoro Andrea. „Medeas”, (2013). [Electronic resource]. URL: https://www.imdb.com/title/tt2390630/
  • Pawlikowski Pawel. „Cold War”, (2018). [Electronic resource]. URL: https://www.imdb.com/title/tt6543652/
  • Rowe Chris. „Early Winter”, (2015). [Electronic resource]. URL: https://www.imdb.com/title/tt2625968/
  • TV Movie. „God on Trial”, (2008). [Electronic resource]. URL: https://www.imdb.com/title/tt1173494/releaseinfo

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
1385282

YADDA identifier

bwmeta1.element.ojs-doi-10_34768_A3K6-4J11
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.