Аксиологическая парадигма музыкального произведения

• Authors: Małgorzata Rusak

Abstracts

EN

The main purpose of the article is to analyse the phenomenon of axiologization of a musical work and the process of creation and perception of music. The aim of the study is to identify the correlation between the cognitive functions of music and the way in which its values are conveyed by the composer, the work itself, the performer/musicologist and the listener. The object of the research was the evaluative components of the interaction between participants in the scheme given above and responses to the theme of music, contained in the scientific monograph of the musicologist Heinrich Neuhaus Тhe Art of Piano Playing. The relevance of the study manifested the need for expand the knowledge base about the cognitive processes of music perception. The analysis revealed that the axiological component is present at every stage of the perception of a musical work and is associated with the cognitive sphere of human activity. The concept of performing a musical work requires the use of special means of expression, including metaphors, comparisons and associations. Moreover, social and philosophical functions of axiologization of music have been revealed in the article. They were investigated from an anthropocentric perspective in the terms of value interaction between musical art and human world and vice versa.

Keywords

EN

perception of music; axiologization of musical work; cognitive functions; of music; discourse in a special text; linguoculturology

• Publisher: Wydawnictwo Uczelniane Wyższej Szkoły Gospodarki w Bydgoszczy
• Journal: Heteroglossia - studia kulturoznawczo-filologiczne
• Year: 2021
• Issue: 11
• Pages: 181-190

Contributors

author

Małgorzata Rusak

• Uniwersytet im. A. Mickiewicza w Poznaniu

Identifiers

DOI

10.34864/heteroglossia.issn.2084-1302.nr11.art13

Biblioteka Nauki

1929475