Didaskalia w Orestei Ajschylosa jako projekt inscenizacji tłumacza (na przykładzie Agamemnona)

• Authors: Barbara Bibik

Title variants

EN

Stage directions in the Aeschylus’ Oresteia as the translator’s designed prospective theatre staging (on the example of the Aeschylus’ Agamemnon

Abstracts

EN

We all know that in the ancient tragedies there are no written stage directions. But it does not mean that there areno stage instructions. Without no doubts the fifth century BC tragedies were theatre productions. Of course theywere influencedby the Athenian theater of the day, but in every age the drama is influenced by the theatre of itsdays. And translation of a drama requires to be imagined by the translator who is never free from any influencesor references to the stages and theatres of authors’ time. That is why in this paper I would like to examine whatkind of staging the translators suggest in their translations and stage directions they insert in the texts.

Keywords

EN

Aeschylus; Oresteia; Agamemnon; Węclewski; Kasprowicz; Srebrny; Sandauer.

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Symbolae Philologorum Posnaniensium Graecae et Latinae
• Year: 2016
• Volume: 26
• Issue: 1
• Pages: 53-75

Dates

published

2016

Contributors

author

Barbara Bibik

• Uniwersytet Mikołaja Kopernika w Toruniu, Katedra Filologii Klasycznej

Identifiers

Biblioteka Nauki

1046630