Text Matters: A Journal of Literature, Theory and Culture - Issue 12 (2022) - CEJSH - Yadda

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Issue details

Publisher

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Journal

Text Matters: A Journal of Literature, Theory and Culture

Year

2022

Volume

---

Issue

12

Identifiers

Cover

Volume contents

12
- article: “Stories of Making and Unmaking”: Deep Time and the Anthropocene in New Nature Writing (Player A.), p. 35-50
- article: Comics in the Anthropocene: Graphic Narratives of Apocalypse, Regeneration and Warning (Olsza M.), p. 51-68
- article: How Deep Time Can Help Shape the Present: Existential Economics, “Joyful Insignificance” and the Future of the Ecological Transition (Arnsperger C.), p. 97-115
- article: Firing up the Anthropocene: Conflagration, Representation and Temporality in Modern Australia (Hayward P.), p. 143-156
- article: Prophesying the End of Human Time: Eco-Anxiety and Regress in J. G. Ballard’s Short Fiction (Oramus D.), p. 157-171
- article: The Nature of Irrevocability: Anthropocene Nostalgia in Hayley Eichenbaum’s Photography Series The Mother Road (Relidzyńska A.), p. 172-191
- article: Environmental Neocolonialism and the Quest for Social Justice in Imbolo Mbue’s How Beautiful We Were (Gasztold B.), p. 195-210
- article: Apocalypse When? Storytelling and Spiralic Time in Cherie Dimaline’s The Marrow Thieves and Louise Erdrich’s Future Home of the Living God (Childers E., Menendez H.), p. 211-226
- article: Márkomeannu#2118, the Future is Already Here: Imagining a Sámi Future at the Intersection of Art and Activism (De Vivo E.), p. 227-246
- article: “The Only Way Out Is In”: Transcending Modernity and Embracing Interconnectedness in Gary Snyder and Kenneth White (Kocot M.), p. 249-268
- article: Past Conditional Subjectivities: Enacting Relationships with the Non-Human in the Work of Ana Mendieta (Tedford M. H.), p. 269-284
- article: “Enlightenment Is a Shared Enterprise”: Tree Ecosystems and the Legacy of Modernity in Richard Powers’s The Overstory (Ostalska K.), p. 285-303
- article: Apocalypse . . . Eventually: Trans-Corporeality and Slow Horror in M. R. Carey’s The Girl with All the Gifts (Druzak C. A.), p. 304-318
- article: Appositions: The Future in Solarpunk and Post-Apocalyptic Fiction (Więckowska K.), p. 345-359
- article: Affective Realities and Conceptual Contradictions of Patricia Piccinini’s Art: Ecofeminist and Disability Studies Perspectives (Lorek-Jezińska E.), p. 363-379
- article: Sympoiesis, Autopoiesis and Immunity: How to Coexist with Nonhuman Others? (Žukauskaitė A.), p. 380-396
- article: Echoes of Rituals of Initiation and Blood Sacrifice in Heart of Darkness by Joseph Conrad (Wicher A.), p. 397-419
- article: Narrating Wonder in Mark Anthony Jarman’s Stories (Blake J.), p. 420-434
- article: The Butterfly Effect: Creating and Recreating the Story of Madame Butterfly, on Paper and on Stage (Szuster M.), p. 435-451
- article: Museum Project: 14 Henrietta St. Museum, Paula Meehan, Dragana Jurišić and the Irish Housing Crisis (Kruczkowska J.), p. 452-469
- article: Monet at a Glance: A Dynamic, Ekphrastic Encounter in Michèle Roberts’s “On the Beach at Trouville” (Goszczyńska M.), p. 470-486
- article: Nec Tecum Nec Sine Te: The Inseparability of Word and Image in Virginia Woolf (Hołda M.), p. 487-507
- article: A Review of Variable Objects: Shakespeare and Speculative Appropriation, edited by Valerie M. Fazel and Louise Geddes (Edinburgh UP, 2021) (Cieślak M.), p. 511-515

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