Text Matters: A Journal of Literature, Theory and Culture - Issue 13 (2023) - CEJSH - Yadda

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Issue details

Publisher

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Journal

Text Matters: A Journal of Literature, Theory and Culture

Year

2023

Volume

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Issue

13

Identifiers

Cover

Volume contents

13
- article: Negotiating Interior Frontiers: Lara Haddad’s A Question of History (2015–16) (Golańska D.), p. 17-35
- article: Duration of the Archive: Soundscapes of Extreme Witnessing in Divya Victor’s Curb (Myk M.), p. 36-57
- article: The Posthuman Body as an EcoGothic Wasteland in Allison Cobb’s After We All Died and Adam Dickinson’s Anatomic (Ambroży P.), p. 61-91
- article: Radical Ecopoetics: The Apocalyptic Vision of Jorie Graham’s Sea Change (Ryoo G. T.), p. 92-108
- article: Clark Coolidge’s The Land of All Time: An Affectively Restless Ecopoem (Siltanen E., Guimarães J. P.), p. 109-124
- article: Delimit / De-limit: Barbara Guest at Kandinsky’s Window (Coase H.), p. 127-142
- article: “What I lack is myself”: The Fluid Text and the Dialogic Subjectivity in Susan Howe’s Debths (Partyka J.), p. 143-157
- article: Plasticity and the Poetics of Inside-Out Inversion in Emmett Williams and Roman Stańczak (Sawczuk T.), p. 161-178
- article: HTML Texts and the Dawn of Asemic Digital Literature: Exploring Dennis Cooper’s Ideas (Barrows C.), p. 179-192
- article: The Extremities of Literature: Traumatic Memory in Two Novels by Kazuo Ishiguro (Trimarco P.), p. 195-209
- article: “How Do You Know Who You Are?”: Marjorie Prime on Envisioning Humanity Through the Faculty of AI-Powered Memory as Reconstructive Tissue (Bendrat A.), p. 210-228
- article: Cosmic Hunt, Copper Electroplating, Chaosmic Transduction: Chaosmotechnics of Molecular Collaboration in Matthew Barney’s Redoubt Project (2016–21) (Przedpełski R.), p. 231-256
- article: Practices of Planetary Relationality in Colum McCann’s Apeirogon (Goszczyńska M.), p. 257-274
- article: Waves of Pixels and Word-generated Algorithms: Drone Poetry as a Collaborative Practice between Machine and Human in Waveform by Richard A. Carter (Ostalska K.), p. 275-297
- article: “English with a Polish Accent and a Slight Touch of Irish”: Multilingualism in Polish Migrant Theatre (Prykowska-Michalak K., Grabarczyk I.), p. 298-316
- article: Artist Collaboration and Unity in Times of Crisis: The Spirals Project (Díaz Vicedo N., Marini H.), p. 317-339
- article: Grievable Lives during the COVID-19 Pandemic: US-American Television, Melodrama and the Work of Mourning (Strehlau N.), p. 343-360
- article: “The particulars of loss”: Grief Memoirs and Their Pragmatic Applications (Małecka K. A.), p. 361-375
- article: Dialogic, but Monologic: Toxic Masculinity Meets #MeToo in Teddy Wayne’s Campus Novel Loner (Kowal E.), p. 376-395
- article: Erasing “Knowable Communities”: From Saturday Night and Sunday Morning to Brassed Off (Piskorz A.), p. 396-413
- article: Envisioning the Ecological Future: Three Perspectives off the Beaten Track (Arnsperger C., Soltysik Monnet A.), p. 417-441
- article: Harry Styles as a Cecaelia: Sexuality, Representation and Media-lore in “Music for a Sushi Restaurant” (Giuffre L., Hayward P.), p. 442-461
- article: Abjection of the Other in Richard Matheson’s I Am Legend: The Subject’s Deterrence Strategy for Becoming the Abject (Mohseni H.), p. 462-481
- article: Periodicals and Nation-Building: The Public Sphere, Modernity, and Modernism in Modern Review and Visva Bharati Quarterly (Singh A.), p. 482-501
- article: “All of history a rehearsal for its own extinction”: A Review of Cormac McCarthy’s The Passenger (Knopf, 2022) (Tardi M.), p. 505-509
- article: Grande Dame Guignol at 60: A Review of Crazy Old Ladies: The Story of Hag Horror by Caroline Young (BearManor Media, 2022) (Fisiak T.), p. 510-514

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