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Publisher
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Journal
Text Matters: A Journal of Literature, Theory and Culture
Year
2019
Volume
---
Issue
9
Identifiers
Cover
Volume contents
9
article:
New Versions of Roguery
(
van Herk A.
,
Polić V.
), p. 9-21
article:
A Wild Roguery: Bruce Chatwin’s The Songlines Reconsidered
(
Nicholls C.
), p. 22-49
article:
Of Grim Witches and Showy Lady-Devils: Wealthy Women in Literature and Film
(
Schuchter V.
), p. 50-65
article:
“You’ll never meet someone like me again”: Patty Jenkins’s Monster as Rogue Cinema
(
Wise M. D.
), p. 66-80
article:
The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s Scorpio Rising and Steven Spielberg’s Duel
(
Boczkowska K.
), p. 81-99
article:
Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
(
Blake J.
), p. 100-117
article:
“Same Old Ed, . . . Uncommitted”: BMW Socialism and Post-Roguery in Guy Vanderhaeghe’s Early Fiction
(
Bolay J.
), p. 118-136
article:
Aussies, Rogues and Slackers: Simon Hanselmann’s Megg, Mogg and Owl Comics as Contemporary Instances of Rogue Literature
(
Scott R.
), p. 137-152
article:
The Rogue as an Artist in Patrick deWitt’s The Sisters Brothers
(
Staels H.
), p. 153-166
article:
The Lynching and Rebirth of Ned Buntline: Rogue Authorship during the American Literary Renaissance
(
Metzler Sawin M.
), p. 167-184
article:
Men Without Fingers, Men Without Toes
(
Dobson K.
), p. 185-196
article:
“Let me hear Thy voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of The Song of Songs
(
Filipczak D.
), p. 199-212
article:
Heresy and Orthodoxy Now: The Zigzagging Paths of the Lawful
(
Zając M.
), p. 213-222
article:
Joe Brainard’s I Remember, Fragmentary Life Writing and the Resistance to Narrative and Identity
(
Drąg W.
), p. 223-236
article:
“A right kind of rogue”: Lisa McInerney’s The Glorious Heresies (2015) and The Blood Miracles (2017)
(
Ostalska K.
), p. 237-258
article:
Three Layers of Metaphors in Ross Macdonald’s Black Money
(
Zdunkiewicz L.
), p. 259-270
article:
Spaces of (Re)Connections: Performing Experiences of Disabling Gender Violence
(
Fayard N.
), p. 273-291
article:
On Unruly Text, or Text-Trickster: Leslie Marmon Silko’s Ceremony as Healing
(
Kocot M.
), p. 292-315
article:
What Ever Happened to My Peace of Mind? Hag Horror as Narrative of Trauma
(
Fisiak T.
), p. 316-327
article:
“But what a place / to put a piano”: Nostalgic Objects in Robert Minhinnick’s Diary of the Last Man
(
Handley A.
), p. 331-344
article:
Liminal Space in J. G. Ballard’s Concrete Island
(
Tereszewski M.
), p. 345-355
article:
Don DeLillo’s White Noise: A Virilian Perspective
(
Pirnajmuddin H.
,
Samani B. B.
), p. 356-373
article:
Theater Without a Script-Improvisation and the Experimental Stage of the Early Mid-Twentieth Century in the United States
(
Szuster M.
), p. 374-392
article:
Poetry, Environment and the Possibility of Future. A Review of Sam Solnick’s Poetry and the Anthropocene: Ecology, Biology and Technology in Contemporary British and Irish Poetry (Abingdon: Routledge, 2017)
(
Pietrzak W.
), p. 395-402
article:
Review of White by Bret Easton Ellis
(
Tardi M.
), p. 403-407
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