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Sztuka w pofałdowanym świecie: architektura w płynie

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Sułkowska-Janowska M.
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
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2012
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vol. 24
175-184
EN
While writing this article, the author was inspired by “Między chwilą a pięknem. O sztuce w rozpędzonym świecie” by Zygmunt Bauman. Following Baumanian diagnosis of the contemporary art we are faced with the condition of our contemporary world. The main feature we can observe in both areas seems to be their ‘liquidity’. In this liquid context the author of the article focuses on contemporary architecture, which was omitted by Zygmunt Bauman. It appears that the most fixed, palpable and sturdy type of art also may assume a kind of liquid form – as in the case of so called ‘folding’, ‘downy’, or ‘pleated’ architecture proposed by Bernard Tschumi or Peter Eisenman who are strongly inspired by philosophical thoughts of Friedrich Nietzsche, Gilles Deleuze, or Jacques Derrida.
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Przemoc rozestetyzowana

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Sułkowska-Janowska M.
Folia Philosophica
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2011
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vol. 29
339-349
EN
The article focuses on the problem of moral infertility of the contemporary culture. The phenomenon — the phenomenon of adiaphorization, as Zygmunt Bauman calls it — seems to be a consequence of the process of global anesthetization. The last one is especially noticeable in the context of violence which is submitted for a process of anesthetization in the media. The aforementioned context reveals additionally some socially dangerous consequences of anesthetization as well as of adiaphorization.
DE
In ihrem Artikel konzentriert sich die Verfasserin auf das Phänomen der moralischen Erschöpfung von der heutigen Kultur, die von Zygmunt Bauman Adiaphorisierung genannt wird und eine Folge von der globalen Ästhetisierung zu sein scheint. Die Gewalt und deren Ästhetisierung, die in Massenmedien besonders sichtbar sind, ziehen nach sich sozialgefährliche Konsequenzen.
3
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Tożsamość w płynie: "homo aestheticus" między regałami

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Sułkowska-Janowska M.
Folia Philosophica
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2013
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vol. 31
PL
The paper deals with the problem which seems to be one of dominant features of postmodern discourse, that is, the problem of identity. The author supplements the philosophical and sociological attitude towards this issue with aesthetical context, which, as it shows up, defines some important elements that co-determine the process of postmodern auto-creation. The trans-categorial notion of “aesthetic identity”, emerging from this process, which exceeds and at the same time gathers different aspects of “identity” discourse, emphasises first of all the bodily aspect and its surprising, especially from the point of view of traditional philosophy, role in creating liquid, performative postmodern identity.
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