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Ocalająca funkcja pamięci w "I libri della famiglia" Leona Battisty Albertiego

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Wojtkowska-Maksymik M.
Acta Universitatis Lodziensis. Folia Litteraria Romanica
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2013
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issue 008
61-68
IT
L’articolo riguarda la questione della memoria, fortuna e fama dalle quali si comincia il prologo dei "Libri della famiglia" di Alberti. L’autrice analizza i motivi sopraelencati basandosi anche sulla tradizione e scrittura umanistica e riferendosi alle ricordanze mercantili. Viene alla conclusione che secondo Alberti la memoria in quanto conoscenza sui nostri antenati costituisce un fondamento stabile della grandezza dei membri della famiglia e dello Stato, e conferma anche la grandezza dell’uomo perché sole le persone virtuose meritano di essere rammentate.
2
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Chimera w sporach o Trójcę Świętą w latach 60. XVI wieku (na przykładzie sylwy IV Andrzeja Trzecieskiego)

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Wojtkowska-Maksymik M.
Prace Filologiczne. Literaturoznawstwo
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2017
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issue 7(10)
347-362
EN
The article discusses the way in which the symbolism of chimera, a mythic monster from Lycia (with lion’s mouth, goat’s torso and serpent’s tail) slayed by Bellerophon, was used in Silva Rerum IV (In sophistats Serveticos et novorum arianorum faecem censurae catholicae, around 1565) by Andrzej Trzecieski junior. This work is also a testimony to the stormy disputes with Arianism followers which engaged Stanisław Orzechowski through, inter alia, a treatise known to Trzecieski, namely Chimaera sive de Stancari Fvnesta Regno Poloniae Secta (1562). The author of Sylvarum libri II undoubtedly based his work on Orzechowski’s piece, but referred to chimera in a different way. Chimera in Trzecieski’s view was used not as a direct attack against particular persons, to defend the papacy, the ecclesiastical power and king’s majesty, but above all to exemplify the heretics’ beliefs upon the Holy Trinity or the everlasting divinity of Christ, and to show the reasons for the heretics’ mistakes.
3
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Wykorzystanie symboliki tetragramu w „O ślachetności a zacności płci niewieściej” (1575) Macieja Wirzbięty

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Wojtkowska-Maksymik M.
Prace Filologiczne. Literaturoznawstwo
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2016
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issue 6(9)
283-296
EN
The subject of this article is the comparative analysis of short excerpts of two works: De nobilitate et praecellentia foeminei sexus declamatio (Antwerp, 1529) by Heinrich Cornelius Agrippa von Nettesheim and the Polish translation of this work, i.e. O ślachetności a zacności płci niewieściej (Cracow, 1575) by Maciej Wirzbięta. The author concentrates on the question of meaning of the first parents names, Adam and Eve, which was addressed by both writers in order to prove the validity of the thesis on the superiority of women over men and reveals the resources used in the discourse: from the works of the Fathers and Doctors of the Church, (e.g. St. Jerome, Psuedo-Cyprian) to the works of philosophers and humanists at the turn of the 15th and 16th centuries (e.g. Heinrich Cornelius Agrippa, Johannes Reuchlin, Jacques Lefèvre d’Étaples) fascinated with Jewish Kabbalah and gematria and the related theory of the names of God and the symbolism of tetragrammaton (JHWH).
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Niewiasta w rajskim ogrodzie. Kilka uwag o godności kobiecej (na podstawie traktatu „O ślachetności a zacności płci niewieściej”, 1575)

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Wojtkowska-Maksymik M.
Prace Filologiczne. Literaturoznawstwo
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2011
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issue 1(4)
27-37
EN
In 1575 Maciej Wirzbięta, a printer from Cracow, published a translation of the work De nobilitate et praecellentia feminei sexus eiusdemque supra virilem eminentia libellus titled Treatise on dignity and respectability of female sex. The author of the original text was Heinrich Cornelius Agrippa von Nettesheim. Agrippa together with Wirzbięta took part in a century-long debate on women’s dignity, proving the legitimacy of the thesis which puts women over men. Arguments used in the discussion de hominis dignitate were supported by a particular interpretation of the Book of Genesis, which presents women as a better kind of men.
5
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O locie z wieży. Historia Poggia Braccioliniego o kardynale Bordeaux i szalbierzu oraz opowieść „O księdzu, co złe wino miał” z „Facecyi polskich”

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Wojtkowska-Maksymik M.
Prace Filologiczne. Literaturoznawstwo
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2020
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issue 10 (13)
355-368
EN
The article concerns one of the anecdotes (II, 28) contained in the anonymous collection Facecye polskie [Polish Facetiae]. Its aim is, first, to point out the differences between the story about the cardinal of Bordeaux and the fraudster from Facetiarum liber (Confabulationum liber) by Poggio Bracciolini and the Polish text and, second, to answer the question about the source of modifications that can be found, i.a., in popular anthologies of witty stories referring to the work of Bracciolini and disseminated in Europe in the sixteenth century (mainly Die geschichte des Pfarrers vom Kalenberg and Sowiźrzał krotochwilny i śmieszny [Facetious and Funny Eulenspiegel]).
PL
Artykuł dotyczy jednej z anegdot (II, 28) zawartych w anonimowym zbiorze Facecye polskie. Celem artykułu jest wskazanie różnic między opowieścią o kardynale Bordeaux i szalbierzu z Facetiarum liber (Confabulationum liber) Poggia Braccioliniego a polskim tekstem i próba odpowiedzi na pytanie o źródła modyfikacji, których upatrywać można m.in. w popularnych kolekcjach dowcipnych historii nawiązujących do dzieła Braccioliniego i rozpowszechnionych w Europie XVI wieku (przede wszystkim Die Geschichte des Pfarrers vom Kalenberg oraz Sowiźrzał krotochwilny i śmieszny).
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Venezia e Padova nelle poesie in latino di Klemens Janicki

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Wojtkowska-Maksymik M.
Perspektywy Kultury
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2023
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vol. 41
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issue 2/1
227-240
EN
This article discusses selected elegies and epigrams by Klemens Janicki which contain descriptions of Padua, Italy and people associated with the city of Antenor and Venice: Lazzaro Bonamico, Giovanni Battista Da Monte, Francesco Cassano, Pietro Bemba, Ludovico Dolce, Daniele Barbaro. The author argues that Janicki succeeded in creating an image of Italy and, above all, Padua – a second homeland where the poet could develop, study, and be cured. The poems associated with Italy and Padua also help to enrich the literary biography of Janicius – a citizen of the world, a laureate poet, a cheerful student, a happy patient, a friend, and colleague of the people associated with the Republic of Venice in the first half of the 16th century.
IT
L’articolo tratta di elegie ed epigrammi scelti composti da Klemens Janicki, i quali contengono descrizioni di Padova, dell’Italia e di persone legate alla città di Antenore e a Venezia: Lazzaro Bonamico, Giovanni Battista Da Monte, Francesco Cassano, Pietro Bembo, Ludovico Dolce, Daniele Barbaro. L’Autrice sostiene che Janicki sia riuscito a creare un’immagine dell’Italia ed in particolare di Padova, una seconda patria, dove il poeta potè svilupparsi, studiare ed essere curato. Le poesie legate all’Italia e Padova contribuiscono inoltre ad arricchire la biografia letteraria di Janicki, un cittadino del mondo, un poeta laurato, uno studente allegro, un paziente felice, un amico e un collega delle persone legate alla Repubblica di Venezia nella prima metà del XVI secolo.
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