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Topografia nostalgii jako topografia tożsamości (na podstawie twórczości Dubravki Ugrešić i Pavao Pavličicia)

100%
Czapik-Lityńska B.
Porównania
|
2013
|
vol. 12
103-116
EN
The article describes the interactions between the human space and literature. Literary images of the city (Berlin, Amsterdam, Zagreb) represent the subject’s nostalgia, its longings and moods. In Ugrešić’s work the subject is a lost, lonely emigrant homo exul. The writer shows the reality from a “real-andimaginated” perspective. The urban setting is strange and deepens the alienation and loneliness. The nostalgic atmosphere comes from a longing for the motherland. The return to the motherland is impossible. In the works of Pavličić the return to the homeland is possible. The power of literary creation, memory and imagination renews the space of destroyed Vukovar. The writer uses enumeration and creates images of an unexceptional and magical city. The nostalgic discourse of Croatian writers is at the same time an identity discourse.
PL
Artykuł omawia interakcje między przestrzenią ludzką (human) a literaturą. Literackie wizerunki miasta (Berlin, Amsterdam, Vukovar) reprezentują nostalgię podmiotu, jego nastroje i tęsknoty. W twórczości Ugrešić podmiot (subject) to zagubiony, samotny emigrant homo exul.. Pisarka pokazuje rzeczywistość w perspektywie real-and-imagined. Miejska przestrzeń jest obca, pogłębia alienację i samotność. Nastroje nostalgiczne wynikają z tęsknoty za ojczyzną i są dla pisarki utrapieniem. Albowiem powrót do ojczyny (Chorwacji i Jugosławii) nie jest możliwy. W twórczości Pavličicia powrót do ojczyzny (Chorwacji) jest możliwy. Moc kreacji literackiej, pamięć i wyobraźnia odnawiają (odbudowują) przestrzeń zniszczonego Vukovaru. Pisarz stosuje enumerację, tworzy wizerunki miasta zwykłego i miasta magicznego. Dyskurs nostalgiczny chorwackich pisarzy jest równocześnie dyskursem tożsamościowym.
2
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Transgresje. Przenikania. Synchroniczność. Uwagi o wyobraźni chorwackiej i serbskiej awangardy literackiej

100%
Czapik-Lityńska B.
Poznańskie Studia Slawistyczne
|
2020
|
issue 18
83-101
EN
The article discusses selected problems of the image, imagination and the ideological-aesthetic consciousness of the avant-garde in Croatian and Serbian literatures. Inspired by the ideas of modern Europe and opened to experiment, transgressions and mental function of the artistic language, it created an autonomous world of imagination. Utopian theories of reality evaluated from expressionistic conceptions of penetration of the world if matter and spirit, Earth and universe to surrealistic conceptions of over-reality.
3
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Matoša problematyzacje piękna. Tropem pewnego poszukiwania

100%
Czapik-Lityńska B.
Poznańskie Studia Slawistyczne
|
2014
|
issue 7
EN
The article describes the transformations of the traditional category of beauty in the Croatian modernist discourse. Based on the analysis of works of Matoš, we offer a study of modernist concepts of beauty, manifested in the relations between beauty, art and life. The discourse in question simultaneously transforms and explains the sense of beauty, introduces into the world of aesthetic and artistic values central to the culture of modernism.
4
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Uwagi na marginesie lektury literackich kontestacji Dubravki Ugrešić

100%
Czapik-Lityńska B.
Poznańskie Studia Slawistyczne
|
2014
|
issue 6
EN
In the article, the literary texts of the Croatian authoress are considered, since they present a critical comportment that is to remain in opposition to the crisis of the contemporary culture. The article makes an attempt to describe a specificity of the writer’s literary contestations, derived from a stance of the avant-garde and modern rebellion, adopted among others by Miroslav Krleža, and from an intellectual revolt, expressed by the postmodern aesthetics and philosophy. The growing on both contestation traditions determines a manner of thinking, perceptiveness of interpretation regarding the depicted world and life. The literary contestations of Ugrešić focus on problems of the postmodern aesthetics, ethics, sociopolitical and cultural transformations.
PL
In the article, the literary texts of the Croatian authoress are considered, since they present a critical comportment that is to remain in opposition to the crisis of the contemporary culture. The article makes an attempt to describe a specificity of the writer’s literary contestations, derived from a stance of the avant-garde and modern rebellion, adopted among others by Miroslav Krleža, and from an intellectual revolt, expressed by the postmodern aesthetics and philosophy. The growing on both contestation traditions determines a manner of thinking, perceptiveness of interpretation regarding the depicted world and life. The literary contestations of Ugrešić focus on problems of the postmodern aesthetics, ethics, sociopolitical and cultural transformations.
5
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Tropem magii słowa w literaturze chorwackiej i serbskiej XX wieku

100%
Czapik-Lityńska B.
Poznańskie Studia Slawistyczne
|
2013
|
issue 4
EN
The  essay  titled  „Pursuing  the  Magic  of  Words  in  the  Twentieth-Century’s  Croatian  and Serbian Literature” discusses transformations of the awareness of the avant-garde and postmodernism  from  the  perspective  of  its  relation  to  magic  thinking.  The  essay  advances a vision of poetic language and the main figures of the avant-garde’s imagination, especially the aesthetic  conceptualizations  of  the  messianic  archetype.  The  avant-garde  thinking about  the world  of  unity  (of  the  world-man-language)  is  utopian  and  not  infrequently magic-esoteric. Postmodernism deconstructs symbolic language; it does not share the avant-garde’s belief in the existential and creative power of imagination and the word. The virtual culture of postmodernism reduces the value of the language sign and the referential function of language; it disenchants the conceits of the magic word. 
6
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Jeszcze jeden świat

63%
Czapik-Lityńska B.
Poznańskie Studia Slawistyczne
|
2015
|
issue 9
495-498
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