Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 5

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Architekstury

100%
Sulejewska J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2017
|
vol. 22
|
issue 31
145-158
EN
.
2
Publication available in full text mode
Content available

Afirmatywny charakter parodii w La puppé Timothy’ego Greenberga

100%
Sulejewska J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2014
|
vol. 14
|
issue 23
111-115
EN
The article is an interpretation of La puppé by Timothy Greenberg seen as non-standard, approving form of parody. The analysis begins with a reminder of attributes of this type of stylization, and then comparision of Greenberg’s film with Chris Marker’s La Jetée. No distinct criticism or polemic leads to theory, that the aim of La puppé is to reveal illusive nature of film language.
3
Publication available in full text mode
Content available

Fotograficzna enklawa. Nowy Jork i jego mieszkańcy w soczewce aparatu

100%
Sulejewska J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2013
|
vol. 12
|
issue 21
275-282
EN
The title phrase “photographic enclave” expresses the condition of projects that tell about a city using a photographic medium. The article discusses three audiovisual works that use photos to portray New York and its inhabitants: Smoke by Wayne Wang and Paul Auster, Stefan Nadelman’s Terminal Bar, and the multimedia project One in 8 Million. The works represent a variety of film models (drama, documentary, interactive media), and their authors use the formal and cognitive aspects of photography in a different ways. The aim of the article is to analyze the function of photography for portraying urban communities and to see if this treatment was successful.
PL
Photographic enclave. New York City and its inhabitants through camera lens The title phrase “photographic enclave” expresses the condition of projects that tell about a city using a photographic medium. The article discusses three audiovisual works that use photos to portray New York and its inhabitants: Smoke by Wayne Wang and Paul Auster, Stefan Nadelman’s Terminal Bar, and the multimedia project One in 8 Million. The works represent a variety of film models (drama, documentary, interactive media), and their authors use the formal and cognitive aspects of photography in a different ways. The aim of the article is to analyze the function of photography for portraying urban communities and to see if this treatment was successful.
4
Publication available in full text mode
Content available

Między powieścią a adaptacją – kilka spostrzeżeń z perspektywy widza

100%
Sulejewska J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2015
|
vol. 17
|
issue 26
298-303
EN
Between Story and Film Adaptation: A Few Insights From a Viewer The essay is an attempt to analyze the mechanisms of adaptation based on the example of Enemy (2013) by Denis Villeneuve. It also confronts the director’s formal choices with an individual viewer’s expectations. The text presents similarities and differences between the novel (The Double, José Saramago) and the movie. The author also points out film-like features of the book. Aspects of the original story were not developed by the filmmakers, and this changed the meaning of the film.
5
Publication available in full text mode
Content available

Self-reflexiveness in Photo-film Form as Illustrated by Zbigniew Czapla’s "Paper Box"

100%
Sulejewska J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2014
|
vol. 15
|
issue 24
113-118
PL
The article interprets Paper Box by Zbigniew Czapla as an example of iconographic film and suggests that the genre be renamed photo-film. An analysis of particular means of film expression and photographic metaphors leads to seeing photo-film as a synthesis of various media, going beyond the world of cinema in terms of genealogy.  
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.