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Weneckie miejsca wyobraźni. Fondamenta degli Incurabili – próba interpretacji

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Siemońska O.

Studia Rossica Posnaniensia

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2022

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vol. 47

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issue 2

87-101

EN

The purpose of this article is to reflect on the phenomenon of travel to the places in Venice associated with the Russian poet Iosif Brodsky and the way in which the Fondamenta degli Icurabili, a place of imagination that is the title of the Russian and Italian-language translation of the essay Watermark, functions in space and consciousness of travellers. The article focuses primarily on individual literary journeys that were reflected in or even inspired the traveller’s writing activities. The experiences of being in the Fondamenta degli Incurabili and trying to understand the meaning of the toponym were described by many authors of contemporary non-fiction texts about Venice: Yuri Lepski, Yelena Yakovich, Gleb Smirnov, Arkady Ippolitov, Ekaterina Margolis. Two texts are particularly noteworthy, i.e. the reportage by Yuri Lepski Brodskiy tol’ko chto ushël (2020), which is entirely devoted to the experiences related to the journey in the footsteps of the poet and Progulki s Brodskim i tak daleye. Iosif Brodskiy v fil’me Alekseya Shishova i Yeleny Yakovich (2016) by Yelena Yakovich, where Brodsky himself interprets the title of his essay. Methodological tools deriving from the field of geopoetics and cultural geography, such as the place of imagination or reading journeys, proved helpful during the development of the paper.

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Po Mannie i Viscontim. Śmierć w Wenecji we współczesnej literaturze polskiej, rosyjskiej i ukraińskiej

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Siemońska O.

Kultury Wschodniosłowiańskie - Oblicza i Dialog

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2018

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issue 8

219-230

EN

The article analyzes three pieces of Russian, Ukrainian and Polish contemporary literature on the subject of “the death in Venice”. The authors of the works, by referring to the literary tradition, consciously strengthen the myth of the "the city of death". In their interpretations this myth has two dimensions: the general and the individual. In the general dimension the vision of a dying beauty and fading power encourages reflection on the transitory nature of civilization. The individual dimension is based on the sense of identification of a dying character with a "dying" city, i.e. Venice.

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Sprawozdanie z XIII Międzynarodowej Slawistycznej Konferencji Literaturoznawczej „Wielkie tematy kultury w literaturach słowiańskich. Pamięć”

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Chaszczewicz-Rydel M., Siemońska O., Świetlicki M., Świetlik A., Uczkiewicz K.

Przegląd Rusycystyczny

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2019

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vol. 169

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issue 1

PL

Report about XIII International Slavonic Studies ConferenceWielkie tematy kultury w literaturach słowiańskich. Pamięć (Wrocław, 16–17 maja 2019 roku)

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1 Kultury Wschodniosłowiańskie - Oblicza i Dialog

1 Przegląd Rusycystyczny

1 Studia Rossica Posnaniensia

3 Siemońska O.

1 Chaszczewicz-Rydel M.

1 Uczkiewicz K.

1 Świetlicki M.

1 Świetlik A.

1 2022

1 2020

1 2018

Weneckie miejsca wyobraźni. Fondamenta degli Incurabili – próba interpretacji

Po Mannie i Viscontim. Śmierć w Wenecji we współczesnej literaturze polskiej, rosyjskiej i ukraińskiej

Sprawozdanie z XIII Międzynarodowej Slawistycznej Konferencji Literaturoznawczej „Wielkie tematy kultury w literaturach słowiańskich. Pamięć”