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1

Życie i twórczość Danyły Dowboszyńskiego (zarys problematyki)

100%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2018

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vol. 6

359-365

PL

In this article I analyse the scientifi c and popular writings on Danylo Doboszynski. I follow his biography and inspect the most important fi elds of his artistic activity. Born in Volhynia in 1924, he spent most of his life in Lviv, where he worked at the Academy of Fine Arts. I scrutinise various aspects of his life as an artist and as a teacher.

2

Rekonstrukcja pamięci miasta w lwowskiej sztuce XXI wieku

100%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2015

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vol. 3

307-315

PL

In this paper I analyse the ways in which the traditions of the old Lvov are reconstructed and incorporated into the fl ow of culture. I do so using as an example the works of three young Ukrainian artists: Olya Kravchenko, Uliana Nyshchuk-Borysiak and Ostap Lozinsky. Special attention is devoted to a project called “10 х 10 сто wIkon Львова”, in which the artists focus on the painter’s iconographic interpretation of selected events, legends and stories from city’s history.

3

Polskie badania nad twórczością Tarasa Szewczenki (Степан Козак, Шевченкознавчі та порівняльні студіі, Київ 2012, 566 c.)

100%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2017

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vol. 5

329-331

PL

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4

Pamięć a perspektywa dramaturgiczna w działaniach artystycznych Ołeny Kostiuk

100%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2016

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vol. 4

525-533

PL

In this paper I analyze the way of construing memory and identity in the works of Lviv-based artist Olena Kostiuk. I place particular emphasis on two of her projects: The Orchard and The Mirror. In both of them the artists refers to Ukrainian archetypes, testimonies and material remnants of the past, using them in her performance, forcing the audience to rethink human condition as well as their own attitude towards the past, the tradition, and the nation.

5

Гелитович Марія, Українські ікони ХІІ-початку ХVI століть зі збірки Національного музею у Львові імені Андрея Шептицького, дизайн, макетування та репродукції Остап Лозинський, Київ 2014, 348 с.

100%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2016

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vol. 4

589-592

PL

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6

Wywiad rzeka ze Światosławem Szewczukiem jako odmiana tekstu autobiograficznego

100%

Jakubowska-Krawczyk K.

Studia Polsko-Ukraińskie

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2020

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vol. 7

155-167

PL

The article analyses the extended interview Dialogue Heals all Wounds carried out by Marek Tomalik, the head of the foreign department of the Catholic Information Agency, with Sviatoslav Shevchuk, Major Archbishop of Kiev, the head of the Ukrainian Greek Catholic Church, published in 2018 by the Znak Publishing House. The focus is on the genre features that allow to categorise this text as autobiographical literature. When analysing the memories of the main character, special attention is devoted to the construction of his personal, group, and national identity in the text.

7

K. Czerni, „Jerzy Nowosielski w Lublinie”, Teka Lubelska 5, Warszawa-Lublin-Kraków 2015, ss. 230

100%

Jakubowska-Krawczyk K.

Studia Polsko-Ukraińskie

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2018

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vol. 5

233-237

PL

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8

„Інколи жах і обстріли – історією народження твоєї дитини…” Obraz dziecka w reportażach Jelizawety Honczarowej Десь поруч війна

100%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2019

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vol. 7

61-75

PL

The article analyzes a volume of literary reports by Ê. Gončarova Desʹ poruč vìjna. The texts that the writers come out from under the pen are deeply rooted in the described reality, not only thought out but also lived. Jelizaweta Honcharova writes reports from the war which brutally invaded her life (she comes from Artemivsk herself). In the texts, however, we will not ﬁ nd despair, complaint or grief and pictures of the life of the areas through which the war is swept. The protagonists of the reports Desʹ poruč vìjna are people repeatedly subjected to war. The writer looks at their reactions to the next challenges, the struggle for survival, the safety of his family, and ﬁ nally the normal living conditions. Jelizaweta Honcharova notices their confusion, the doubts on which side of the conﬂ ict should be told. Without pathos and judgment, it shows the drama of political divisions and choices in which the boundary between being a patriot and a traitor is often not sharp clear może. He leans over a drama of broken families, conﬂ icts and despair that break out in them. The author presents a war that kills childhood. It takes your big and smaller dreams away irretrievably. The drama of war presented by the writer takes place on many levels. The most important of them is probably the sphere of family life. War violates the basic tissue of relationships for children. Thanks to the reports of Honcharova, the reader notices the whole range of problems that a young man encounters. The reports are full of pain but also the awareness of the good that happens between people even in such inhuman times. They constitute a kind of testimony of history, designed to protect against possible attempts to manipulate it in the future. Thus, Honcharova gives them supra-regional and timeless dimension.

9

Тимофій Бойчук, керівник проекту та автор вступної статті Ярослав Кравченко, Львів-Київ-Тернопіль 2017, 60 с

88%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

|

2018

|

vol. 6

419-421

PL

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10

65-lecie KU UW. Dyskusje literaturoznawczo-kulturoznawcze. Sprawozdanie

63%

Jakubowska-Krawczyk K., Olechowska P.

Studia Ucrainica Varsoviensia

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2020

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vol. 8

271-279

PL

The scientifi c report describes the literary and cultural studies discussed at the conferences organized by the Ukrainian Studies Department at the University of Warsaw in 2018 and 2019. There are three themes distinguished here: research relating to the sacred, childhood and autobiography. The lectures cover the history of literature since the times of Kievan Rus’ through the 19th and 20th century up until the present day, as well as the issue of theories and connections between literary and cultural studies. The cultural studies lectures exhibit a great variety of topics stemming from the Ukrainian art in the 20th and 21st century as well as theatre, music, fi lm, etc.

11

Dzienniki czasu rewolucji godności

63%

Jakubowska-Krawczyk K.

Slavia Orientalis

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2017

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vol. LXVI

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issue 3

12

O współczesnym malarstwie monumentalnym

50%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2015

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vol. 3

405-407

PL

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13

Zbiorowy dziennik rewolucji godności

50%

Jakubowska-Krawczyk K.

Studia Ucrainica Varsoviensia

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2017

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vol. 5

333-337

PL

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7 2017

Życie i twórczość Danyły Dowboszyńskiego (zarys problematyki)

Rekonstrukcja pamięci miasta w lwowskiej sztuce XXI wieku

Polskie badania nad twórczością Tarasa Szewczenki (Степан Козак, Шевченкознавчі та порівняльні студіі, Київ 2012, 566 c.)

Pamięć a perspektywa dramaturgiczna w działaniach artystycznych Ołeny Kostiuk

Wywiad rzeka ze Światosławem Szewczukiem jako odmiana tekstu autobiograficznego

K. Czerni, „Jerzy Nowosielski w Lublinie”, Teka Lubelska 5, Warszawa-Lublin-Kraków 2015, ss. 230

„Інколи жах і обстріли – історією народження твоєї дитини…” Obraz dziecka w reportażach Jelizawety Honczarowej Десь поруч війна

Тимофій Бойчук, керівник проекту та автор вступної статті Ярослав Кравченко, Львів-Київ-Тернопіль 2017, 60 с

65-lecie KU UW. Dyskusje literaturoznawczo-kulturoznawcze. Sprawozdanie

Dzienniki czasu rewolucji godności

O współczesnym malarstwie monumentalnym

Zbiorowy dziennik rewolucji godności