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  1. 1 Przekłady Literatur Słowiańskich

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  1. 1 Milanović Z.

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  1. 1 2016

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Problemi interpretacije i prevođenja stare književnosti Nekoliko pitanja, primjedbi i propozicija

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Milanović Z.
Przekłady Literatur Słowiańskich
|
2016
|
vol. 7
|
issue 1
250-260/261-270
HR
U ovom članku obrađena su neka translatološka pitanja i problemi na području prijevoda stare književnosti, a na osnovi odabranih ulomaka iz djela Jana Kochanowskog, kao i iz eseja Czesława Miłosza, koji se dijelom također odnosi na translatološke probleme. Provedena analiza citiranih stihova i njihovih prijevoda pokazuje da prevođenje renesansne književnosti podrazumijeva i poznavanje tadašnjih poetika i retoričkih regula, koje su dijelom baštinjene iz razdoblja starog vijeka. Osim toga, bitnim se čini, kako postulira Miłosz, i psihološki čimbenik, koji je poljski nobelovac odredio kao „suosjećanje” prevoditelja s osobom danog autora. Za samu translatologiju presudna je književna interpretacija i cjelovito razumijevanje prevođenog teksta iz područja stare književnosti. Ta interpretacija treba polaziti od temeljita poznavanja renesansne epohe i kulture, u sklopu koje je književno djelo i nastalo.
EN
In this paper I have analyzed some translatological questions in the field of translating old literature, on the basis of selected fragments from the works of Jan Kochanowski and from the essay of Czesław Miłosz that examines some translatological problems. An analysis of the cited fragments and their translations shows that the translation of Renaissance literature should also opt for knowledge of contemporary poetics and rhetorical rules, which formed a part of the legacy from the literature of the ancient period. In addition, as Miłosz postulates in his essay, it seems that in the process of a translation of great significance is the empathy of the translator himself with the persona of a given author. Literary interpretation and the correct understanding of old literature is a crucial factor and the starting point in the translation process. Such an interpretation is based on a thorough knowledge of the epoch and the culture of the Renaissance period, within which the concrete work was written.
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