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EN
The ars moriendi treatise in Ukrainian baroque literature: The example of Innocenty Winnicki’s Catechism, or the Knowledge of Christianity The author of this article focuses on bishop Innoceny Winnicki’s Catechism, or the Knowledge of Christianity and its relationship to European ars moriendi texts. The art of dying gave sick and elderly people practical tips on how to prepare for death and how to achieve salvation. The author shows the reception of Latin Catholic literature patterns in the literature of the Ukrainian baroque period and the cultural characteristics of the Polish-Ukrainian cultural border, where the influence of the East and the West overlapped.
UK
Трактат арс морієнді в літературі українського бароко на прикладі Катихисїс албо наука христїанская Інокентія Винницького Презентована стаття присвячена характеристиці твору перемиського єпископа Інокентія Винницького на фоні жанрових зразків присутніх у західноєвропейській літературі. Суттю мистецтва вмирання було передати людям хворим та старшим, які наближаються до кінця свого життя практичні поради як готуватися на смерть та отримати спасіння. Проведений аналіз дав змогу показати рецепцію латинських, католицьких літературних зразків в українській літературі аналізованого періоду та показати культурну своєрідність польсько-українського пограниччя, де сплітаються впливи Сходу й Заходу.
EN
The article is devoted to the relations between literature and visual arts. The texts created on the initiative of the church hierarchs of the Przemyśl eparchy reflect the striving for the synthesis of arts and the visuality of the literary text, characteristic of the baroque era, both in Polish and Ukrainian culture. It took various forms depending on the subject of the work and its genre character. A pomjanyk of Bishop Innocent Winnicki combined a graphic element devoted to soteriological and vanitative themes with the memory of the dead. The series of portraits of the deceased bishops of the Przemyśl eparchy created in the mid-18th century have short epitaphs or, in the case of bishop Onufry Szumlański, a panegyric epigram with references to the symbolism of the coat of arms. An interesting example is Nomen Maximilianus written in honor of bishop Maksymilian Ryło by Ignacy Pilawski. The work consisted of an allegorical emblematic poem of a heraldic character and 12 anagrams built around the bishop’s name, in which the author used many allegorical images to interest the reader and skillfully praise the protagonist of the work. The analysis of these texts shows how important it was for the authors of the time to influence the reader’s imagination with the visual effect of a literary work.
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