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EN
The main purpose of the article is to find the answer, how two different religious traditions (reformative and catholic) influenced the process of building of historical consciousness of secular Czech society in the interwar period. During the first years of the independent Czechoslovakia existence, a typical phenomenon was a domination of the hussite historical reminiscences, which culminated in the year 1925, during the national celebration of the 510 anniversary of Jan Hus’ death. In the same time, it was possible to notice voices, which were questioning an asymmetric construction of historical consciousness and emphasizing necessity of ‘extracting’ also from other historical traditions. The opportunity to merge two main Czech spiritual traditions occured in the year 1929, when not only Catholic Church, but also Czechoslovak state organised Saint Wenceslas Millennium celebration. ‘Over-confession’ and ‘over-ethnical’ meaning of state parts of celebration should be considered as the successful change of unequal paradigm of historical consciousness, as well as the beginning of gradual process changing Czech society from the community defined in the ethnical-language way into civic society
PL
The main purpose of the article is to find the answer, how two different religious traditions (reformative and catholic) influenced the process of building of historical consciousness of secular Czech society in the interwar period. During the first years of the independent Czechoslovakia existence, a typical phenomenon was a domination of the hussite historical reminiscences, which culminated in the year 1925, during the national celebration of the 510 anniversary of Jan Hus’ death. In the same time, it was possible to notice voices, which were questioning an asymmetric construction of historical consciousness and emphasizing necessity of ‘extracting’ also from other historical traditions. The opportunity to merge two main Czech spiritual traditions occured in the year 1929, when not only Catholic Church, but also Czechoslovak state organised Saint Wenceslas Millennium celebration. ‘Over-confession’ and ‘over-ethnical’ meaning of state parts of celebration should be considered as the successful change of unequal paradigm of historical consciousness, as well as the beginning of gradual process changing Czech society from the community defined in the ethnical-language way into civic society.
EN
The image of Jan Hus’s death in literary and film works The article shows, on selected examples from Czech literature and film, different images of the Czech reformer’s death. The fundamental texts of this article are the testimonies of two witnesses of that event: a member of Hus’s escort, Peter from Mladoňovice, and a burgher from Konstantz, Ulrich Rychental. Confesional dependent visions, that both of them were creating, initiated two traditions in the perception of Jan Hus: as a martyr and as a heretic. The vision of Mladoňovic dominated thinking about Hus in Czech society until the beginning of the recatholization. During the 19th century it was also supported by historism typical for the National Revival epoch (F. Palacký, Dějiny národa českého), persisted in journalism, literature, art and, after some modifications, operated until the middle of the 20th century (O. Vávra, Jan Hus). Later literary and film productions (E. Kantůrková, J. Svoboda, Jan Hus) take into account Rychental’s testimony, so the one-sided picture of the death of the Bethlehem preacher gained a new dimension.
CS
Literární a filmové obrazy smrti Jana Husa Článek na vybraných příkladech z české literatury a filmu ukazuje dva různé obrazy smrti českého reformátora. Základními texty jsou zprávy dvou očitých svědků události: člena Husova doprovodu Petra z Mladoňovic a kostnického měšťana Ulricha Richentala. Konfesijně podmíněné obrazy, které oba atoři kreují, stojí na počátku dvou rodících se tradic v pojímání Husa: jako mučedníka a jako kacíře. V českém prostředí dominoval až do počátku rekatolizace Mladoňovicův obraz, který byl v 19. století převzat obrozeneckým dějepisectvím (F. Palacký, Dějiny národa českého) a následně publicistikou, literaturou a výtvarným uměním a v různých modifikacích přetrval zhruba do poloviny 20. století (O. Vávra, Jan Hus). Pozdější literární a filmová produkce (E. Kantůrková, J. Svoboda, Jan Hus) zohledňuje také Richentalovo svědectví, čímž do té doby jednostranný obraz smrti betlémského kazatele získal novou dimenzi.
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