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Polacy w obliczu Tanatosa – kontynuacja i innowacja wzorów kulturowych dotyczących śmierci i umierania

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Zimnica-Kuzioła E.
Rozprawy Społeczne
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2017
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vol. 11
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issue 2
28-35
PL
Celem artykułu jest socjologiczna refleksja zogniskowana wokół problematyki przemijania i śmierci. Odwołując się do ogólnopolskich reprezentatywnych badań, publikacji naukowych i popularnonaukowych, chciałbym pokazać specyfikę polskiego przeżywania żałoby, wierność tradycji, kultywowanie pamięci zmarłych i jednocześnie odnotować zmiany, jakim podlega dynamicznie rozwijający się przemysł funeralny. Osobne miejsce poświęcam możliwościom, jakie daje Internet w zakresie społecznego wsparcia - tematyczne portale internetowe oferują wielokierunkową pomoc osobom przeżywającym żałobę.
EN
The purpose of the following article is to provide a sociological reflection focusing on the problems of transience and death. By referring to representative surveys and specialist articles published in journals and on the Internet, I wish to present the specificity of Polish experience of grief, faith traditions, honoring the memory of the dead and, at the same time, note changes such as, for example, a dynamic growth of the funeral industry. Additionally, the paper indicates the existing social support in the form of numerous thematically arranged websites available on the Internet, which offer multidirectional help to those in mourning.
2
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Widz teatralny - typologia odbiorców sztuki scenicznej i ich dyskursów

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Zimnica-Kuzioła E., Instytut Socjologii U. Ł.
Acta Universitatis Lodziensis. Folia Sociologica
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2001
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vol. 29
EN
The article concerns the reception of the performance and it attempts to describe the recipients of a play and their discourses. The empirical research on the audience of three plays: Tango by S. Mrożek, Pokojówki by J. Genet and Przemiana by F. Kafka, is the basis for theoretical considerations. Having ninety-five extensive interviews-conversations with the spectators, three major discourses were distinguished: the vital (connected with real life), the critical, and the vital combined with the critical. The first was subdivided into the naive discourse (aspirant), the narcissistic (egotist), and the amateurish (ignorant). The second comprises the integral discourse (statistical spectator), the admiring (theatre-goer) and the poetical (literary man); the third type of the discourse, also called the aesthetical, is represented by a spectator-critic. The analysis of the interviews indicated that the semiotic attitude, which is contrary to Jacobson s poetical function, is prevalent among the spectators. The overwhelming majority of the subjects (87,5%) followed the plot of the play and tried to apply it to reality. Only 12,5% of all spectators limited themselves to the syntactic analysis of the play, and to the description of its formal characteristics. Additionally, it followed that over a half - 61,4% of the average recipients of the performance could be classified among the paradigm of the reception marked by H. G. Gadamer’s philosophical hermeneutics (the vital discourse), and that one which derives from Kant (the critical discourse). Therefore, they represent a combination of the vital and the critical discourse, in other words, such a discourse, which not only takes into consideration the aspects concerning the contents, but also formal characteristics of the play.
3
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Spektakl Zakonnice Odchodzą po Cichu jako Przykład Tendencji Demaskatorskich w Polskim Teatrze Dokumentalnym

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Zimnica-Kuzioła E.
Sztuka i Dokumentacja
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2018
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issue 18
241-247
PL
Artykuł dotyczy tendencji demaskatorskich w polskim teatrze dokumentalnym. W pierwszej części Autorka podejmuje próbę ujęcia differentia specifica teatru dokumentalnego i rozważa przyczyny zwiększonego zainteresowania tym nurtem zarówno ze strony profesjonalnych krytyków, jak i potocznych widzów. Druga część tekstu stanowi analizę spektaklu Zakonnice odchodzą po cichu, zrealizowanego w opolskim Teatrze im. Jana Kochanowskiego. Przedstawienie powstało na kanwie głośnego reportażu Marty Abramowicz, która przeprowadziła dwadzieścia rozmów z byłymi mniszkami. Twórczynie spektaklu poszerzyły jego spektrum tematyczne o problem aktorstwa i poszukiwały analogii pomiędzy powołaniem zakonnym i misją społeczną aktora. Rozważając problem demaskatorskiego charakteru nagrodzonego Złotą Maską dzieła teatralnego, Autorka konstatuje, iż dotyczy ono kwestii tabuizowanych w publicznym dyskursie i dlatego generuje tak silne emocje widzów. Relacje sióstr, które odeszły z zakonu to ich subiektywna prawda, to zwierzenia intencjonalnie hiperbolizujące ciemną stronę zakonnej rzeczywistości. Niemniej przełamują one milczenie na temat realiów zakonnego życia i animują dyskusję dotyczącą podrzędnej roli kobiet w strukturach Kościoła. Teatr dokumentalny ma zatem potencjał odkrywania treści niepopularnych, traktowanych jako społeczne tabu.
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Kryzys wiary i możliwości jego przezwyciężenia w okresie adolescencji

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Zimnica-Kuzioła E.
Łódzkie Studia Teologiczne
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2010
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vol. 19
241-251
EN
Adolescence is characterized by a number of changes, which can be a cause of conflict. On the other hand, each person wants to obtain an integral religious identity. The article concerns religious crisis,that is generally natural for young people. On the base of students` statement, the author discusses reasons of religious disintegration, as well as she indicates capability of surmounting difficulties in faith. Some of the young people represent inconsistent religiousness – that is a natural process of rejecting the authorities (it also concerns the Church). Contemporary postmodern culture is an important factor that deepens the crisis (religious pluralism, pessimistic vision of world, etc.) Young people have a chance for positive personality development and for an outlet from religious crisis.
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Religijność współczesnych chrześcijan – próba typologii

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Zimnica-Kuzioła E.
Łódzkie Studia Teologiczne
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2011
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vol. 20
347-363
EN
The article concerns religiousness of city dwellers, their attitudes towards the Catholic Church. The author –on the basis of her own empirical research-shows different types of Christians. Research proves there is a big diversity of religiousness among Polish Christians. It shows that in structures of the Church (regarded as the community of the faithful) there are not only believers, but also religiously indifferent and non-believers, practising and non-practising, critical of the Church and sympathetic towards this institution.
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Stosunek Polaków po 2005 r. do osoby i nauczania Jana Pawła II na podstawie komunikatów CBOS

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Zimnica-Kuzioła E.
Łódzkie Studia Teologiczne
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2013
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vol. 22
229-237
EN
The author compiled the findings of representative CBOS research conducted at the end of 2005 and the beginning of 2011. The research concerned the attitude of Poles towards John Paul II. For the vast majority of Poles John Paul II remains a special and outstanding figure, almost everyone appreciates his services to the world and his homeland. Equally important is the influence of the blessed Pope (soon probably a saint) on the religious life of his compatriots. He is still not only the object of national pride, but also a guarantor of vitality of the Polish Catholicism, a role model and the highest religious authority. The attitude of Poles towards “their own Pope” is intensely emotional. Especially the people who met him personally declare a strong bond and the willingness to follow his teaching in their lives. However, the respondents who failed to meet the Pope hold him in high esteem as well. It is difficult to anticipate whether Poles will maintain high rates of religiousness. Certainly, cultivating the memory of John Paul II will impact on the religious life of believers. The sociologists realize some secularization processes are inevitable, especially among young Poles, affected by strong tendencies of the secular, consumer and postmodern culture. Even nowadays, over 40% of respondents refuse to identify themselves with the teaching of the Catholic Church. Young Poles (18–24 year olds) in comparison with other age groups are the least interested in religion and the teaching of John Paul II. Additionally, they often tend to “believe in their own way”, increasingly distancing from the Christian doctrine. It is not an optimistic prediction for the future from the point of view of “the vitality of the Polish Catholicism”.
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NURT DOKUMENTALNY W POLSKIEJ SZTUCE WSPÓŁCZESNEJ

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Wejbert-Wąsiewicz E., Zimnica-Kuzioła E.
Sztuka i Dokumentacja
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2018
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issue 18
204-205
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