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„Nie jesteśmy nomadami”. Przestrzeń francuskich przedmieść i tożsamość potomków imigrantów

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Kamecka M.
Białostockie Studia Literaturoznawcze
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2016
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vol. 9
EN
The thesis of a symbolic significance of space for a particular community underscores the integrating role of place as a cultural value. The author analyses the connection between the space of French suburbs and the identity of their inhabitants, especially those of immigrant extraction. Therefore, she refers to selected texts of the rich output of French hip-hop artists. She places the pieces in the context of the responds given the French of immigrant roots surveyed in 2003. The analysis of the works of the French rappers demonstrates that their texts express a strong identity with the place of origin and residence built on cultural separateness and, simultaneously, on a strong feeling of social homogeneity of the quarter, which is an additional integrating factor.
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Współczesne kino francuskie wobec pamięci postkolonialnej

100%
Kamecka M.
Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego
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2014
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issue 5(31/1)
191-204
EN
For years little has been said the French public discourse about North and West African contribution to the World War II efforts, the sacrifice in blood of their soldiers was mentioned only rarely and occasionally. However, filmmakers embraced this topic unfamiliar to the public. Rachid Bouchareb – a French director of Algerian descent – is one of them. His film Indigènes (2006) is a tribute of sorts to the “forgotten heroes”, who have lost their lives fighting Germans in the south of France and later Alsace. By portraying four soldiers, the artist poses important questions regarding topics such as ethnicity, equality, discrimination, and racism, but also that of being forsaken, leaving an emptiness in the collective mind of a nation. The author describes the attitude of contemporary French filmmakers towards the postcolonial past and themes of ethnicity, concentrating on a film by Rachid Bouchareb. The picture seems to be especially relevant from the point of mutual relations between ethnicity, the politics and culture.
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